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Most U.S. police forces have been slow to respond. New York is the only city that has a full-time art crime detective. He is Robert Volpe, 35, a spare-time painter and sculptor who looks the part: shoulder-length hair and well-worn jeans. He figures that he helped recover art objects worth about $4 million...

Author: /time Magazine | Title: Nation: Artful Crime | 2/26/1979 | See Source »

...expected quota of mock anthropology and imaginary biology; the most eccentric and striking example of that genre being a pair of crude effigies of horses, made from sticks, chicken wire and mud by the California artist Deborah Butterfield. There is also a hilarious piece of funkiness by a Texas sculptor, James Surls, representing a tornado chewing through the roof of a church; Surls' debt to that master of buckeye surrealism, H.C. Westermann, is ob vious enough, but the image has a wobbly comic-strip blatancy about it that carries conviction...

Author: /time Magazine | Title: Art: Roundup at the Whitney Corral | 2/26/1979 | See Source »

What has aroused Einsteinophiles especially is a 12-ft.-high bronze statue of the physicist that will be unveiled in April by the National Academy of Sciences on Washington's Constitution Avenue. Critics have attacked Sculptor Robert Berks for his "bubble gum" style, the astrological connotation of the star-studded base and the statue's cost (at least $1.6 million). Others insist that no statue could really be appropriate; Einstein, after all, was so opposed to posthumous veneration that he willed his ashes to be scattered at an undisclosed place. Constantly called upon to pose for photographers, painters and sculptors...

Author: /time Magazine | Title: Cover: The Year of Dr. Einstein | 2/19/1979 | See Source »

...Rockefeller's "Rodin" costs, anyone with an eye and some spirit could put together a few handsome original objects by excellent living artists-and have money left over for a week in Paris, spending every day at the Rodin Museum really learning something about a great sculptor...

Author: /time Magazine | Title: Time Essay: Who Needs the Art Clones? | 12/18/1978 | See Source »

corrective education disguised as comedy. Fiona French's timing is not exactly Henny Youngman's. and the practical joke that a nobleman plays on a sculptor is somewhat short of hilarious. But her illustrations make shrewd use of the quattrocento palette and the faces on old coins. If Dante had ever written a children's book, these are the paintings he would have wanted in the middle of the journey...

Author: /time Magazine | Title: Books: A Rainbow of Colorful Reading | 12/4/1978 | See Source »

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