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Word: sculptor (lookup in dictionary) (lookup stats)
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...year-old sculptor spoke about her life's philosophy and experience as an artist...

Author: By Judith E. Matloff, | Title: Visiting Artist Louise Nevelson Discusses Sculpture And Life | 4/1/1977 | See Source »

...sculptor repeatedly stressed the necessity for artists to persevere and have confidence in their talent. She also spoke of the need for greater encouragement for budding artists...

Author: By Judith E. Matloff, | Title: Visiting Artist Louise Nevelson Discusses Sculpture And Life | 4/1/1977 | See Source »

...plot concerns Thomas Hudson (Scott), a famous sculptor, twice divorced, living in the Bahamas in 1940. Insofar as Hudson's story is a love story, it refreshingly focuses on his love for his three sons by both marriages (Hart Bochner, Michael-James Wixted, Brad Savage). During a long visit by the boys early in the film, he painfully reaches toward them across gaps of isolation, resentment and pride-his own and sometimes theirs. Later, when the oldest son is shot down while serving as a fighter pilot, Hudson has a bittersweet interlude with the boy's mother (affectingly...

Author: /time Magazine | Title: Cinema: The Big One Gets Away Again | 3/21/1977 | See Source »

...furnished setting of the novel is Nashville, Tenn., during the postwar years. There Tewksbury teaches at a university, bends elbows with the horsy set and conducts the great love affair of his life. Significantly, it is with a girl from his own home town, now married to a rich sculptor. In Rozelle Hardcastle, Warren has forged a considerable Southern heroine-beautiful, cunning, passionate and full of what the author calls "the mystic promise," which must be enjoyed "purely as an art, as an illusion, as a complex poetry of the soul and the gonads." In her middle age, a rich...

Author: /time Magazine | Title: Books: Sacred and Profane Grit | 3/14/1977 | See Source »

...wood carver is more limited by the size of his raw material than any other sculptor. A log is a log; it cannot be melted down or extended. One can order marble to size, but no tree in China or Japan could possibly give a sculptor a large enough balk of timber to carve something as big as Michelangelo's David. Even if there was such a tree, there would be insuperable problems of technique. Wood is grainy. It favors continuous, compressed shapes with a strong axis along the grain. Anything that sticks sideways from the block...

Author: /time Magazine | Title: Art: Wooden Priests, Painted Dragons | 1/17/1977 | See Source »

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