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...Florence by a wave of republican sentiment. When the Medici resumed their grip on the city in 1530, a purge of republicans followed, and a cutthroat named Alessandro Corsini was hired to murder Michelangelo-who had vocally sided with the republican cause. According to an old tradition, the great sculptor, who was then at work on the Medici tombs, hid in the bell tower of a church on the other side of the Arno. But ten years ago, a memoir was discovered in the handwriting of Giovanni Battista Figiovanni, the prior of San Lorenzo who was in charge...

Author: /time Magazine | Title: Art: Saved from Death | 5/17/1976 | See Source »

...again, and carving. The drawings he left on the walls-evidently done behind shutters at night, for his lines are in places visibly interrupted by the grease from guttering candles-were a means of passing the time during that irritating concealment. They are not among the sculptor's greater works, but anything by Michelangelo's hand is, needless to say, of interest...

Author: /time Magazine | Title: Art: Saved from Death | 5/17/1976 | See Source »

Died. Max Ernst, 84, surrealist painter and sculptor whose prophetic vision of art made him a seminal figure in the irreverent Dada movement and later in surrealism; after a long illness; in Paris...

Author: /time Magazine | Title: Milestones, Apr. 12, 1976 | 4/12/1976 | See Source »

CLAES OLDENBURG is not just a sculptor, he is a magician. Ordinary objects, under his hands, metamorphose into vital and eloquent forms; he can create an Ovidian phantasmagoria from a cigarette butt, or animate a movie camera. His art works imaginative miracles with the stuff of everyday existence. Typewriter erasers are infused with life, clothespins garbed in symbolism. He's the type of person who could change your water into wine...

Author: By Eleni Constantine, | Title: Only Connect the Interlocking Image | 2/19/1976 | See Source »

Oldenburg's drawings and sculpture realize the magic of his thought. The current exhibition, held jointly at the Institute of Contemporary Art, in Boston, and Hayden Gallery at MIT, focuses on six themes the Swedish-born sculptor has developed over the last ten years: "Geometric Mouse", "Three-way Plug", "Clothespin", "Fagends", "Typewriter Eraser", and "Standing Mitt with Ball". In each case, Oldenburg considers a commonplace object, analyzes it in terms of texture, volume, form, etc., then manipulates the essence he has extracted. Using a process of free association, he fuses images, correlating aspects of the original object to other things...

Author: By Eleni Constantine, | Title: Only Connect the Interlocking Image | 2/19/1976 | See Source »

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