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Women artists are acutely aware of the cultural biases that act to impede their careers. Marianna Pineda, a sculptor participating in the gallery's current show and an Institute Fellow from 1962 to 1964, is an established local artist by any standard. She has had three one-woman shows, and the Boston Museum of Fine Arts owns two of her pieces. Despite her success she still feels artistic institutions discriminate against women. "Art schools are filled with women," she said, "but most of the instructors are men. Women are taught that art is a lady-like pastime...

Author: By Marni Sandweiss, | Title: The Tensions of Feminist Art | 3/14/1974 | See Source »

...three stars, flew over the day before the banquet burdened with such Gallic specialties as pate de foie gras, truffles, Mediterranean bass and goat cheese. Among the guests: Playwright Lillian Hellman, Couturiere Pauline Trigere, Journalist Sally Quinn, Author Marya Mannes, New York Times Op-Ed Page Editor Charlotte Curtis, Sculptor Louise Nevelson, Former New York City Consumer Affairs Commissioner Bess Myerson, and Boston-based Gastronome Julia Child. Sipping her Veuve Clicquot '66 at the end of the ten course, eight wine dinner, Julia gave her verdict: "The whole thing was a great deal of fun." Chef Bocuse smilingly surveyed...

Author: /time Magazine | Title: People, Jan. 14, 1974 | 1/14/1974 | See Source »

...only to sight a Boy Scout to reach for his chalks-one reason why Artist Norman Rockwell was voted one of America's ten outstanding fathers in 1943. But his youngest son Peter, now 37 and a sculptor living in Rome, remembers Dad differently. "Sometimes it was very frustrating to be a subject and to be seen through his eyes and not in the way I thought I was," he explains. Now Peter has countered with a sculpture of Rockwell pere that would never make the cover of the Saturday Evening Post: a bronze head with a gaping hole...

Author: /time Magazine | Title: People, Dec. 24, 1973 | 12/24/1973 | See Source »

...first a likely candidate for greatness either. There is a little bit of shaggy dog about his longish brown hair and moustache, and his burly build reminds one of his days as a stone cutter--he made grave stones, like little Oskar in The Tin Drum--and as a sculptor, before he began to write. He deliberately rolls a cigarette while answering questions, and his time on the campaign trail for Brandt's socialists has taught him not exactly to dodge difficult questions but to slip almost unnoticeable away from them--like maybe a snail...

Author: By Phil Patton, | Title: Vocal An' Aesthetic | 9/27/1973 | See Source »

Home is a former sculptor's smallish skylighted studio in Greenwich Village, which she shares with her boyfriend of eight years. Bob Williamson, a "freelance stock speculator." Marriage? "Great for taxes, necessary for children, but abominable for romance." Hutton also boycotts the uptown party scene: "I feel foolish in that kind of setup, and I think those people would feel foolish in mine." Lauren and Bob divide household chores because "I've never had a maid and don't want one. If you've got more things than you can take care of yourself...

Author: /time Magazine | Title: Modern Living: Making Magic with a Funny Face | 9/17/1973 | See Source »

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