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...sculptor, Matisse was largely self-taught-Rodin refused to have him as a student, though he worked with Antoine Bourdelle. Yet his sculpture is a superb demonstration of the way a great artist will find a use and a form for all his sensations. "I took up sculpture," said Matisse, "because what interested me in painting was a clarification of my ideas . . . When I found it in sculpture, it helped me in my painting. I kept working in the hope of finding an ultimate method...

Author: /time Magazine | Title: Art: Matisse: A Strange, Healing Calm | 3/6/1972 | See Source »

...cathedral; the sense of the figure emerging like a captive from its shroud of bronze is profoundly Michelangelesque. Above all, there is the sense of intellectual energy, of a powerful mind striking to the core of problems which it alone could formulate. Perhaps Matisse was not as "radical" a sculptor as he was a painter. His sculpture was avowedly traditional; it addressed itself, as his paintings did, to the classic themes of the erect or reclining figure, the portrait and the nude. But only a few early modern sculptors - Rodin, Bourdelle and Degas in old age - achieved the same vitality...

Author: /time Magazine | Title: Art: Matisse: A Strange, Healing Calm | 3/6/1972 | See Source »

...infringing on Memorial Hall's quadrangle, yet Harvard's new sculptural acquisitions are almost invisible in snow-covered Radcliffe's courtyards and Sever squad. It is not only the snow that makes these sculptures so hard to see--they are scarce and often dwarfed between heedless architectural structures, the sculptor's concern for the environment is offended, if even recognized...

Author: By Meredith A. Palmer, | Title: Environment and Sculpture | 2/24/1972 | See Source »

...still does. Originally released in 1953, it stars Vincent Price in his first horror role. He is in splendidly clammy form as a sculptor of meticulously realistic wax figures who is presumed dead in a fire that destroys his waxworks. He mysteriously reappears, however, to open a hall of waxen horrors that quickly becomes the talk of turn-of-the-century New York City. Meanwhile, corpses start disappearing from the city morgue. A horribly deformed figure in a black cape is stalking the streets, terrorizing the likes of Phyllis Kirk and Carolyn Jones. There are several suspicious deaths...

Author: /time Magazine | Title: Cinema: Time Machine | 1/31/1972 | See Source »

...acting director, the trustees named Richard Oldenburg, 38, brother of Sculptor Claes Oldenburg and the museum's director of publications since 1969. The search for a new d'Harnoncourt continues...

Author: /time Magazine | Title: Art: New Man Out | 1/17/1972 | See Source »

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