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...Customs Bureau refused to let it in the country duty-free, claiming that it was not art but mere metal. In the comic-opera court proceedings that followed, a group of American art lovers won a modest but crucial ruling: that to be art, a work by a recognized sculptor need not bear a striking resemblance to a natural object. Whether or not the decision affected the course of art, it sharply changed the official practices of the U.S. Customs Bureau. But in all the brouhaha, Bird came to seem more the epitome of an era than the creation...

Author: /time Magazine | Title: Art: Brancusi: Master of Reductions | 10/17/1969 | See Source »

Peasant Vigor. For a sculptor whose working life spanned more than 50 years, Brancusi's approximately 200 extant pieces do not constitute a large body of work. Once Brancusi found a motif that delighted him, he characteristically repeated it over and over again, subtly altering and refining its shapes and using different materials to give it new substance. There are 16 versions of Bird in Space. Not all his works, however, share Bird's elegant abstraction or the witty sophistication of Princess X, a subtly phallic take-off on the society-portrait bust. In his native Rumania, Brancusi...

Author: /time Magazine | Title: Art: Brancusi: Master of Reductions | 10/17/1969 | See Source »

Some of his sculptures are unmistakably phallic-the food blenders, for example, or toothpaste tubes. Others are based on female forms: the hamburgers, light switches, the soft version of Chrysler's 1935 Airflow. But every good Freudian knows all that without having to prowl within a sculptor's imagination. On the other hand, who could anticipate Oldenburg's explanation of his sculpture Raisin Bread, Sliced? "It was conceived as a sort of Parthenon and was also suggested by a picture I saw of Paris' Madeleine Church turning into a loaf of bread. The piece...

Author: /time Magazine | Title: Art: The Venerability of Pop | 10/10/1969 | See Source »

About the same time he married, Erpf decided that he had to have a maze on his 500-acre property in the Catskills. And not just a collection of decorative hedging either. He called Michael Ayrton, a maze-mad English sculptor, architect and author of The Maze Maker, a fictional autobiography of Daedalus. "I just read your book," said Erpf. "I want one of those." Today, thanks to Ayrton, Armand Erpf has "one of those...

Author: /time Magazine | Title: Aesthetics: Knossos in the Catskills | 8/15/1969 | See Source »

Gallery C extended a warm, week-long invitation to ignore this mandate. From Paris, Sculptor Lygia Clark imported two powder-blue space suits of her own design. After a man and a woman entered the suits and Miss Clark sealed the sightless helmets, the occupants found that their only access to each other was through zippered pockets strategically located over the erogenous zones. When the man opened one of her pockets, he felt a hairy male chest rather than a soft female bosom; the woman, in turn, reached out to touch a rubber breast. Somewhat south of these pockets were...

Author: /time Magazine | Title: The Senses: Please Do Touch the Daisies | 7/25/1969 | See Source »

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