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...hall's entrance is graced by a hand some piece of sculpture by Masayuki Nagare, Japan's foremost sculptor - and a Takamatsu resident...

Author: /time Magazine | Title: Architecture: The Design Governor | 5/19/1967 | See Source »

...minority, Marisol's version was "shocking." They favored an idealized version of Father Damien as a young man with a tiny child clutching at his knee, submitted by Sculptor Nathan Cabot Hale. The Hawaiian House of Representatives voted to back Hale's model, and the whole Hawaiian archipelago began taking sides...

Author: /time Magazine | Title: Art: How to Portray a Martyr? | 5/12/1967 | See Source »

...biggest splash of the week, in the end, was provided by one of Berkeley's star exhibitors, Sculptor Peter Voulkos, 43, known as the "daddy of funk." The San Francisco Art Commission voted to adorn the Municipal Hall of Justice with a 24-ft.-high piece of Voulkos sculpture, but the chosen piece hardly looked funky at all. Says Voulkos, "It's pretty open. There's no literal connotation in it." It simply looked like a shiny bronze-and-aluminum convocation of happy-go-lucky boa constrictors, and could be Fernand Leger on a three-dimensional spree...

Author: /time Magazine | Title: Sculpture: Up with Funk | 5/5/1967 | See Source »

Shown & Known. Because Hunter is located between Lexington and Park Avenues in the very heart of New York, the college has always been able to tap well-known "names," has long had on its staff such prestigious artists as Sculptor Richard Lippold, Abstractionists AdReinhardt and (until recently) Robert Mother well. But the problem every art school must face is that very few successful or well-known artists will teach by choice; once their work begins to sell, most would rather spend the extra hours in their studios. Under the leadership of Eugene C. Goossen, 46, who took charge at Hunter...

Author: /time Magazine | Title: Schools: Tomorrow's Baroque | 4/7/1967 | See Source »

...full-and part-time teachers, has increased from 24 to 65. And in short order, Goossen's new teaching artists have made their mark in the outside world. Six out of 60 grants made by the National Council on the Arts last year to promising U.S. painters and sculptors went to Hunter teachers, a record for any U.S. art school. Half a dozen Hunter artists, including Sculptor Tony Smith (TIME, Feb. 10), were represented in the 1965 and 1966 Whitney Annuals for painting and sculpture. Recently, nine Hunter teachers had one-man shows simultaneously in cities ranging from...

Author: /time Magazine | Title: Schools: Tomorrow's Baroque | 4/7/1967 | See Source »

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