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ANTOINE-LOUIS BARYE-Alan Gallery, 766 Madison Ave. at 66th St. The minuscule bronzes of the 19th century French sculptor of animals. Through...

Author: /time Magazine | Title: Art: Art in New York: Nov. 8, 1963 | 11/8/1963 | See Source »

...foreign to Jean Cocteau because it was in such bad taste. In the sweep of French life and letters, he was the incomparably protean, mercurial, acrobatic, magical virtuoso-"a one-man band," as he called himself. He was the eternal dilettante-novelist, poet, farceur, essayist, film maker, actor, painter, sculptor, choreographer, composer, actor-and above all, talker. "Nothing he has written," said one of his friendly critics, "is worth half an hour of his conversation." He despised the limitations of professionalism. "The only way to make a good film is to know nothing about film making," he once said...

Author: /time Magazine | Title: France: The Sparrow & the Dilettante | 10/18/1963 | See Source »

...sentiment that still put women and children first. His subject matter concentrated on them, their preening, their chance encounters, their intimate moments of tenderness, love and sadness (see color). He sculpted fleeting human gestures as they appeared through sunlight, shade, haze, even gaslight. And he thus became the first sculptor to travel into the transient world of the French impressionist painters-a little-acknowledged fact that is well substantiated in a show of 28 of his works, sponsored by the Italian Ministry of Foreign Affairs and the Institute Italiano di Cultura in New York, which opened last week at Manhattan...

Author: /time Magazine | Title: Art: Rosso Re-Evaluated | 10/11/1963 | See Source »

That Rosso wasted no love on Rodin is no surprise. He had ample reason to believe that the famous French sculptor had snitched at least one good idea from him. While exploring the play of light on figures, Rosso came to feel that a man's shadow cast on the ground seemed solid as flesh. So he molded in solids the natural penumbras of cast shadows, like a cape sloping from the figure's shoulders. Several years after Rodin had visited his studio and written Rosso that he was "struck by a wild admiration for you," the older...

Author: /time Magazine | Title: Art: Rosso Re-Evaluated | 10/11/1963 | See Source »

...missions to Okinawa. From then on, he always carried a stone with him. Stones have led him to a charmed life: World War II ended before his name came up for a suicide sortie, and now, at the age of 40, Nagare is Japan's foremost sculptor (see opposite page...

Author: /time Magazine | Title: Art: Stone Crazy | 9/20/1963 | See Source »

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