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...drawn to Rome because it is cheaper to live there. Their down-to-earth approach is reflected in their art: painting includes recognizable images, sculpture often mirrors the human form, prose and poetry tend to be lucid, coherent and direct. Few have qualms about accepting commercial commissions. Cracked one sculptor: "For a thousand dollars I'll do a head of grandma -guaranteed to look just like grandma!" Wives for Models. Typical of Rome's new expatriates is Detroit-born Zubel Kachadoorian, 35, who formerly worked part time as a construction worker, while his artist wife, Irma Cavat, padded...

Author: /time Magazine | Title: Art: The Non-Beatniks | 6/8/1959 | See Source »

...Bathers, to make matters especially difficult and particularly intriguing, is a product of contradictions. It is technically a sculpture--there seems to be no way of getting around that--but it is a sculpture which answers more to the laws of painting than to those of the sculptor. It might almost be described as a three dimensional drawing. Seen as a series of individual figures, the work loses its meaning. But, together, as an antiphone of forms which are largely linear, the work moves, functions, comes alive with a remarkably electric vitality...

Author: By Paul W. Schwartz, | Title: Picasso: The Bathers | 3/26/1959 | See Source »

EDITING: "What you leave out is always much more important than what you leave in. A sculptor achieves a work of art by what he chips out of the marble; if he left the marble merely as he found it, what would he accomplish...

Author: /time Magazine | Title: The Press: The Unretired Crusader | 2/23/1959 | See Source »

Fashionable Roman Sculptor Renato Signorini said that he had accepted a gilt-edged commission from Monaco's Prince Rainier: an 18-carat solid-gold bust of Princess Grace. Buckling down to three months of "very patient work," Signorini grandly measured the value of his work-to-be: "Priceless...

Author: /time Magazine | Title: People, Feb. 16, 1959 | 2/16/1959 | See Source »

...infuriates me to see the horrible mural by Pablo Picasso in the UNESCO headquarters in Paris [Dec. 8]. And if British Sculptor Henry Moore's Reclining Figure was carved out of travertine from Michelangelo's old quarry at Carrara, this is certainly the only possible connection it could have with real art. It might just as well have been carved out of reinforced concrete or, better still, left out altogether...

Author: /time Magazine | Title: Letters, Jan. 5, 1959 | 1/5/1959 | See Source »

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