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What Wins a Prize? "It is as much a mistake to accept a thing without understanding it as to reject it without understanding it," Sculptor Jo Davidson wrote at the time when Manhattan's famed 1913 Armory Show plunged the U.S. headlong into modern art. Davidson's counsel was still being pondered this week as museum doors opened on the two biggest prize-giving events of the year. Washington's 25th Biennial Exhibition of Contemporary American Oil Paintings at the Corcoran Gallery of Art and the Art Institute of Chicago's 62nd American Exhibition of Painting...

Author: /time Magazine | Title: Art: What Wins a Prize? | 1/21/1957 | See Source »

...modern-minded jury considered 171 candidates, whose styles ranged from meticulous realism to slapdash expressionism, then placed its stamp of approval firmly on New York's avantgarde. The winners, chosen by Museum of Modern Art Collections Curator Dorothy C. Miller. Chicago-born Painter Arthur Osver and Manhattan Sculptor-Welder Theodore Roszak...

Author: /time Magazine | Title: Art: What Wins a Prize? | 1/21/1957 | See Source »

...First prize ($2,000) to Bronx Sculptor-Welder Seymour Lipton, 53. for his bronze-braised, 8-ft. tall The Cloak (left). Lipton, who finally retired from dentistry two years ago to become a full-time sculptor and now has work in eleven museums, takes his cue from biological forms, feels that The Cloak, with its enclosing forms, symbolizes the fact that for man, as well as plant life, "protection is necessary if there is to be growth." ¶Second prize ($1,000) to Abstract Expressionist James Brooks, 50, for his swirling 7-ft.-by-7-ft. R-1953 (right...

Author: /time Magazine | Title: Art: What Wins a Prize? | 1/21/1957 | See Source »

Holed up in a centuries-old farmhouse outside Barcelona, Spanish Surrealist Painter-Sculptor Joan Miró and Potter Josep Llorens-Artigas three years ago embarked on one of the strangest pottery-sculpture adventures since the ancient Zapotecs cooled their kilns. As Artigas described the process to the French art review L'Oeil, "Miró had collected objects over the years . . . an empty sardine can flattened by a truck, odd pieces of cork, rubber, glass, rocks . . . These chance encounters became sculptural elements to be translated into pottery." Artigas and his 18-year-old son would shape these elements in clay...

Author: /time Magazine | Title: Art: Baked Surprises | 1/7/1957 | See Source »

...first nine winners of $10,000 each easily met Graham's desire that recipients be up to "postgraduate work." The winners, chosen with the help of an all-star advisory committee of top architects, museum directors and Swiss Art and Architecture Historian Sigfried Giedion: Sculptor-Welders Harry Bertoia, 41, of Barto, Pa., Joseph Goto, 36, of Chicago and Keith Monroe, 39, of San Francisco; Painter Walter Kuhlman, 38, of San Francisco; Architects Frederick Kiesler, 64, of New York City and Paul Nelson, 62, an American now practicing in Paris; Painter-Film-Maker James Edward Davis, 55, of Princeton...

Author: /time Magazine | Title: The Theater: Biggest Fellowships | 12/31/1956 | See Source »

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