Search Details

Word: sculptor (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...never went to school, that is why I like to teach," says sculptor Constantine Nivola. Actually, Nivola, who is an instructor at the School of Design, did for a time attend the Institute Superiore d'Arte of Milan. The school, modeled after Germany's famed Bauhaus, was intended to give Italian architects and designers the same scientific theoretical training that established the renown of the great German academy. In a typically Italian manner, Nivola comments that the institute at Milan didn't even get around to translating the Bauhaus' declaration of principles. "Freedom was the main thing," Nivola recalls, "just...

Author: By Lowell J. Rubin, | Title: Constantine Nivola | 3/8/1956 | See Source »

...admitted that he as well as the other students often felt lost in this atmosphere. This caused them to turn for inspiration to Mario Marini, the great contemporary Italian sculptor, who was at that time attached to the institute. But, according to Nivola, his help consisted of little more than shouting to the boys while on the way to his studio "Coraggio Ragazzi" (Courage Boys...

Author: By Lowell J. Rubin, | Title: Constantine Nivola | 3/8/1956 | See Source »

...chapel, M.I.T. last week raised a brand-new, 45-ft.-tall aluminum spire, the work of Sculptor-Welder Theodore Roszak (TIME, Aug. 15). So that the steeple, which looks like a cross between an attenuated lobster claw and a fragile bottle opener, would not appear machine-made, Sculptor-Welder Roszak produced something brand-new in surface ornaments: he carefully puddled ingots of aluminum into "contemporary amor-phic baroque" blobs, then welded them to the steeple's base. Still to come: a bell for the steeple. What it will look like, M.I.T. refuses to say beyond the tantalizing hint...

Author: /time Magazine | Title: Art: Puddled Spire | 12/5/1955 | See Source »

...could such a contradiction of qualities be brought together in one presence on the stage? Julie found the answer in a remarkable statue of Joan by an unknown medieval sculptor -"the figure of a sturdy, stocky girl," as Director Joseph Anthony describes it, "with thick hands, almost like a man's, laid together heavily in prayer. Her head is slightly raised -but demanding, not beseeching, God to hear. Her shoulders are hunched in heavy, earthbound determination. She has a natural concentration, like an animal's. Eye and body and brain are united without strain in simple existence...

Author: /time Magazine | Title: The Theater: A Fiery Particle | 11/28/1955 | See Source »

...outskirts of Paris to pick up pointers. In his lifetime, he exhibited only one statue, an awkward ballet rat dressed in a real gauze tutu and hair ribbon. But even this and a few other waxworks caused his friend Renoir to exclaim: "Why, Degas is the greatest living sculptor." Degas was not so sure, once remarked: "To be survived by sculpture in bronze-what a responsibility! Bronze is so very indestructible...

Author: /time Magazine | Title: Art: Degas in Wax | 11/21/1955 | See Source »

Previous | 237 | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | Next