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...Christendom's greatest monuments-St. Peter's in Rome-is never quite completed. Among the best present-day artists working to finish it is a self-taught, 45-year-old sculptor from Milan named Giacomo Manzù. Four years ago, Manzù won a competition to do bronze bas-reliefs for the "Doorway of Death" (opened only for funerals) at one side of the Basilica. Now his scale study is at last complete (see cut), and he hopes that by devoting all his working time to the project he will have the doors themselves done in two more...

Author: /time Magazine | Title: Art: NEW DOORS FOR SAINT PETER'S | 7/26/1954 | See Source »

...Bronze model by Swedish-American Sculptor Carl Milles, now at the Cranbrook Museum, Bloomfield Hills, Mich...

Author: /time Magazine | Title: Religion: The Great Swede | 6/28/1954 | See Source »

...shade, and some flamboyant ceramic figures of working girls by light-fingered Leoncillo Leonardi outshone more pretentious sculptures. As best Italian painter, the jury picked Giuseppe Santomaso for his pleasantly decorative abstractions, which resemble swatches of colored silk and black thread in a stiff breeze. Prize for best Italian sculptor went to Pericle Fazzini (who makes a living by conservative church commissions), for some mildly sexy contortionists in wood and bronze...

Author: /time Magazine | Title: Under the Four Winds: Under the Four Winds | 6/28/1954 | See Source »

...object turned out to be a sculptured slab, 6 ft. 5½ in. by 2 ft. 3 in., showing the dead Christ laid out on a rough, shrouded bier awaiting entombment. In the tragic dignity of the recumbent figure and in the calm anguish of the face, the sculptor had achieved a work of striking realism; the body lies alone with none to mourn it, and the effect is one of infinite loneliness. Art experts called the statue a first-rate example of Renaissance sculpture, and archaeologists pronounced it "one of the major archaeological finds made in London during this...

Author: /time Magazine | Title: Art: Resurrection in Cheapside | 6/14/1954 | See Source »

Three times in his 62 years Jacques Lipchitz has had to rise from the ashes of disaster to pursue his career as a sculptor. When he was a youthful art student in Paris, his father, a Lithuanian contractor, lost all his money, told Jacques to give up and come home; Lipchitz got a part-time job, kept on with his studies. In 1941 the Nazis forced Lipchitz to flee from France; with only $20 to his name and some of his drawings, the sculptor had to begin all over again in the U.S. In 1952, just as he had recovered...

Author: /time Magazine | Title: Frontier Reporter: Frequent Phoenix | 6/7/1954 | See Source »

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