Word: sculptor
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EXHIBIT BY NEW VES FACULTY. The Carpenter Center is displaying work by new VES faculty members: printmaker Gail Deery, photographers Jim Dow and Mark Steinmetz, sculptor Mel Kendrick and painter John Obuck. Through Feb. 16. Hours: Mondays through Saturdays, 9 a.m. to 11:30 p.m.; Sundays, 12 to 11:30 p.m. Free. Carpenter Center, 24 Quincy...
EXHIBIT BY NEW VES FACULTY. The Carpenter Center is displaying work by new VES faculty members: printmaker Gail Deery, photographers Jim Dow and Mark Steinmetz, sculptor Mel Kendrick and painter John Obuck. Through Feb. 16. Hours: Mondays through Saturdays, 9 a.m. to 11:30 p.m.; Sundays, 12 to 11:30 p.m. Free. Carpenter Center, 24 Quincy...
RIVERS AND TIDES. A documentary about erosion may sound as appetizing as a plate piled high with General Wong’s Chicken, but filmmaker Thomas Riedelsheimer has apparently met the challenge and created an erosion movie worth seeing. Rivers and Tides tracks artist Andy Goldsworthy, a Scottish sculptor of what he dubs “earthworks,” organic creations positioned in a fashion and location that leaves them vulnerable to the elements. Works of stone, ice and wood are placed on land or in the sea in such a way that they are beaten into uselessness...
...remember Leonardo as a painter, draftsman, sculptor, architect and scientist. Yet if one is to judge by the self-advertising letter he sent to Sforza in Milan in 1481, he didn't rate his skills that way. Before anything else, he listed his strategic ingenuity: he could design portable bridges, drain moats, bombard strongholds, design and cast siege cannon, make fireproof ships, and so on and on. Not until item No. 10, the last on his list, did he get around to saying that in painting too he could "do everything possible as well as any other." There may have...
...games begin outside the handsome Guangdong Museum of Art at 38 Yanyu Lu, Ersha Island, where large, red letters that read IN GOD WE TRUST are poised above sculptor Wang Guangyi's bulky, socialist-realist statues of heroic workers that emerge out of the ground like ghosts from the Cultural Revolution. Sincerity jousts with irony, old communist values with new China's avarice. Greed, of course, has the upper hand; many of the works at the exhibition exude ambivalence toward the country's rampant materialism and unchecked urban growth. Liang Juhui's Floating Transported uses video projection to simulate living...