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Inconsolable. Maillol was descended from a family of fishermen and smugglers of Banyuls. The sculptor spent much of his life in the pink stucco house where he was born. As a youth he studied painting in Paris, but he was unsuccessful with the brush. Not until he was 40 did he have any working knowledge of sculpture. Then one day he picked up a fallen tree trunk, from it carved a woman's figure. For the next 42 years he devoted himself almost entirely to carving and modeling female forms. "I am inconsolable," he once said, "not to have...

Author: /time Magazine | Title: Art: What an Artist! | 10/16/1944 | See Source »

...Paris last week the name of Maillol was under a cloud. The aged sculptor had exhibited his work to Germans during the occupation. The huge Autumn Salon, which opened during the week, had sent him no invitation to contribute. Aristide Maillol had never followed public events or cared about politics. He refused even to discuss the war. He merely worked on in his Banyuls house, and when plaster became scarce he sent his son to ask the neighborhood dentists for more. In leisure moments, the old man listened to music. Few modern artists have evoked such critical acclaim. Wrote Britain...

Author: /time Magazine | Title: Art: What an Artist! | 10/16/1944 | See Source »

...music and literature were strung over the battleground. Sculptor Jo Davidson, engineering a Term IV musical show in Madison Square Garden, had to choose from a wealth of volunteers: Lily Pons, Duke Ellington, Yehudi Menuhin, Marian Anderson. Dinah Shore, Grace Moore, Gene Krupa. Anti-New Deal writers Ru pert Hughes, Mary Roberts Rinehart, Kenneth Roberts, Louis Bromfield, Channing Pollock and Booth Tarkington plotted a Republican victory, and Dorothy Parker, in a big new pirate's hat, furiously attended Term IV luncheons...

Author: /time Magazine | Title: U.S. At War: The Big Barrage | 10/9/1944 | See Source »

...statuette of himself might be sold over the counter for 50?, along with little images of Buffalo Bill and George Washington. President Roosevelt took one look at the result and cried: "Wait a minute. I don't wear a waistcoat." Through it all, diminutive, agile, 53-year-old Sculptor Max Kalish preserved speed and competence. He was engaged in one of the most spectacular one-man sculpture marathons ever undertaken: the modeling of some 50 statues of U.S. war leaders in sittings of one hour per subject. Last week the exhausting work was nearly finished. Max Kalish had lost...

Author: /time Magazine | Title: Art: Big Fifty | 10/2/1944 | See Source »

Last week the weary sculptor shuttled to Washington on one of his last missions for the Living Hall. With the aid of sleeping pills, he was regaining his composure. In his car were 18 two-foot bronze statues, ready for delivery to the Smithsonian. The heat of Washington during the summer months had all but melted him down. "But," said he, "I would have gone into my studio and worked in the nude if necessary, in the joy of doing the thing for posterity...

Author: /time Magazine | Title: Art: Big Fifty | 10/2/1944 | See Source »

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