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...apparent that making a living as a painter or a sculptor or an independent filmmaker is a very difficult choice," says VES Visiting Professor Ross McElwee. "How do you advise that...

Author: By Stephanie P. Wexler, | Title: Harvard Lacks Training for Artists | 6/9/1994 | See Source »

...works did well: one of David Smith's Cubi from 1963, a series long acknowledged as being among the peak efforts of America's finest modern sculptor, fetched $4 million; and an extraordinarily fine Arshile Gorky, Dark Green Painting, 1948, made its low estimate of $3.5 million. But you could hardly call a classic of Abstract Expressionism a contemporary picture...

Author: /time Magazine | Title: ART: Auctions in the Pits | 5/16/1994 | See Source »

...same vision came to Elizabeth Yanish Shwayder, a sculptor from Denver, 11 years ago. Visiting her daughter in Toronto, she learned of that city's annual coat drive, which collects used winterwear and gives it to the needy. In 1982, as Denver suffered through a horrific winter storm, Shwayder brought the concept home. Seven years later, the coat drive had become a Denver institution, and Shwayder decided to go national. Her first target was New York City...

Author: /time Magazine | Title: American Scene a Tale of Five Warm Coats | 12/27/1993 | See Source »

...handwriting is that of a 10-year-old -- and although he had some art training, he was basically self-taught. Freud's German origins have suggested to some critics that early works like Girl with Roses, 1947-48, a portrait of his first wife, Kitty Garman, daughter of the sculptor Jacob Epstein, were done under the spell of the German Neue Sachlichkeit (New Objectivity) portraiture of the 1920s -- painters like Otto Dix or Christian Schad. Actually the basis was much earlier: Albrecht Durer, whose fixedly staring, ultradetailed watercolors set Freud's first standards about the inspection of faces and bodies...

Author: /time Magazine | Title: The Fat Lady Sings | 12/27/1993 | See Source »

...COLUMBIAN ART AND THE POST-COLUMBIAN WORLD, by Barbara Braun (Abrams; $75). African sculpture and its influence on modern art is well documented. Less so is the effect of ancient American design on 19th and 20th century painters, sculptors and architects. Braun traces the aesthetic roots of artists such as sculptor Henry Moore, painter Paul Klee and architect Frank Lloyd Wright back to the Maya, Aztec and pre-Columbian civilizations of Peru...

Author: /time Magazine | Title: Bound By Tradition | 12/13/1993 | See Source »

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