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...certainly can't be because he's not a well-known sculptor," J. French Wall '83, president of the Gay Students Association, said. "It's pretty clear that politics played a role," he added...

Author: By William E. Mckibben, | Title: University Declines To Take Sculpture On Gay Liberation | 1/29/1982 | See Source »

Slive, who said Segal was an "important" sculptor, added he had not even seen photographs of the work...

Author: By William E. Mckibben, | Title: University Declines To Take Sculpture On Gay Liberation | 1/29/1982 | See Source »

...land of Disney and tinsel, labored at arcane specialties. Among them: Decorative Painter Frank Baumann, 71, who plied his trade in the lavish 1930s movie theaters, and German-born Karl Mindermann, 51, a silversmith. Baumann took charge of the delicate brushwork while Mindermann worked on recoppering the dome. Sculptor Michael Casey walked in one day to see what was going on and ended up plastering walls and ceilings-sometimes with cake-decorating tools. Says Mathews: "There is talent and skill left in this country like you can't believe...

Author: /time Magazine | Title: Design: Cheers for a Born-Again Capitol | 1/18/1982 | See Source »

...ordinary limits. Clay sculpture began to verge on the technically stupendous, as with Voulkos' ex-student John Mason, 54, whose dark walls and slabs of mottled stoneware are triumphs of craft. So, in a quite different way, is the work of another Voulkos protégé. Sculptor Kenneth Price, 46. But where Mason's work is rocklike and lumpen totemic. Price's involves an elegant denial of clay's earthen nature. His sharp-angled, cubistic "cup" sculptures look so machined and precise that they might have been conceived in metal; the brilliant visual punch...

Author: /time Magazine | Title: Art: Molding the Human Clay | 1/18/1982 | See Source »

...roles, but whose frequent guest appearances on the old Jack Paar TV show brought his gently mocking offstage self to the attention of millions; of a heart attack; in Burbank, Calif. Conried was celebrated for his skillful use of accents: a villainous Nazi in early films, a zany Bulgarian sculptor in the Broadway musical Can-Can, a sheepish professor on radio's My Friend Irma. "Give me a laugh onstage," said Conried, "and I am like a tiger who has tasted blood...

Author: /time Magazine | Title: Milestones: Jan. 18, 1982 | 1/18/1982 | See Source »

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