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...exaggeration is permissible; the paintings are by Leonard Baskin, and the highly charged text is by his children, Tobias, Lucretia and Hosie, and his wife Lisa. All of them are manifestly dazed by the artwork. With good reason. A renowned graphic artist and sculptor, Baskin Sr. limns a whole aviary of familiar birds. But his subjects' eyes seem to burn through the pages, and the rendering of their beaks and feathers makes even the common robin and crow seem birds of paradise...

Author: /time Magazine | Title: Books: A Child's Portion of Good Reading | 12/3/1979 | See Source »

BORN. To Meryl Streep, 30, high-cheek-boned actress (The Deer Hunter, Manhattan), and her husband, Sculptor Don Gummer, 32: a son, their first child; in New York City. Name: Henry...

Author: /time Magazine | Title: Milestones, Nov. 26, 1979 | 11/26/1979 | See Source »

Joseph Beuys-sculptor, maker of happenings, guru and political fantasist-is without doubt the most influential artist in Europe. At 58, he is also one of the few genuine art world stars: the gaunt face, the felt hat that never comes off in public and the fishing jacket make up a uniform as immediately recognizable to his fans as Al Capone's fedora or Picasso's monkey mask. He even has a retinue of attendants, attired in cute red jumpsuits. For some years he has been one of the chief culture heroes in Germany, particularly...

Author: /time Magazine | Title: Art: The Noise of Beuys | 11/12/1979 | See Source »

...Harvard to work on a small scale with undergraduates. Last year, the program brought the director of Broadway's Pacific Overtures. He ran a three-part seminar with students interested in theatrical direction. This year the office will offer seminars with tenor Paul Sperry and playwright Jonathan Levy. Sculptor Ann Sperry will offer a seminar as well as lecturing about contemporary American women artists. "We want to get students involved with artists in a way that they couldn't themselves," Mayman says, and the personal interaction that goes on in the seminar ensures this goal...

Author: By Suzanne R. Spring, | Title: Portrait of the Arts as a Young Program | 11/3/1979 | See Source »

...props and set dressing. Segal is no formalist, but his sense of the abstract underpinning of sculpture cuts down on what might otherwise have become a tough-but-tender street sentimentality. He is, as the catalogue suggests, a "proletarian mythmaker," though not in a political sense; and no other sculptor working in America today has done more to revive the human figure as a subject...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

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