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RICHARD ARTSCHWAGER, Museum of Contemporary Art, Los Angeles. Formica and Celotex are among the odd materials employed by this enigmatic but important American painter and sculptor. Through...

Author: /time Magazine | Title: Critics' Choice: Jan. 2, 1989 | 1/2/1989 | See Source »

...worked on the stories back in New York City, art director Rudy Hoglund and deputy director Arthur Hochstein, who designed the layouts for the entire package, faced a difficult problem: how to create a strikingly original cover image. Their solution was to approach Christo, the famed Bulgarian-born environmental sculptor. In earlier works Christo had draped in plastic large sections of the earth -- a stretch of Australian coast, a canyon in Colorado -- but never the whole planet. This time Christo bundled a 16-in. globe in polyethylene and rag rope and drove more than 350 miles up and down...

Author: /time Magazine | Title: From the Publisher: Jan 2 1989 | 1/2/1989 | See Source »

RICHARD ARTSCHWAGER, Museum of Contemporary Art, Los Angeles. Formica and Celotex are among the odd materials employed by this enigmatic but important American painter and sculptor. Through...

Author: /time Magazine | Title: Critics' Choice: Dec. 26, 1988 | 12/26/1988 | See Source »

...bachelor sculptor of Celestial Navigation (1974), for example, panics if he has to go to the grocery store. The unhappy wife in Earthly Possessions (1977) plans to leave her husband but is relieved of the decision when she is kidnaped during a bank holdup. The eccentric hero of Morgan's Passing (1980) handles the problem of freedom not with flight but with flamboyant masquerades. The poignant conceit of Dinner at the Homesick Restaurant (1982) is a beanery that resembles a kitchen where lonely people can assemble, if only for a meal. The Accidental Tourist (1985), Tyler's most winsome expression...

Author: /time Magazine | Title: Books: In Praise of Lives Without Life-Styles BREATHING LESSONS | 9/5/1988 | See Source »

Spain has the Catalan sculptor Susana Solano, 42, whose constructions of sheet iron, mesh and rods are based on the image of baths and attain a weird intensity in balancing the plain, structurally explicit means of minimalism against an atmosphere of secrecy and menace: they could be prison cells or metaphorical labyrinths...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

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