Word: sculptors
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Dates: during 1920-1929
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...Sometime acrobat, magician, horse thief, highwayman, circus-man, poet, sculptor, fomenter of disturbances in the Far East and superb Baron Munchausen." So reads a placard in the New Art Gallery, Madison Avenue, Manhattan, where Merton Clivette, 79, is having his first one-man show of paintings, his first artistic renown at all, but enough of it now to make one of the most amazing stories in the annals of art. Within three days from the opening of his exhibit, 30 paintings had last week been sold, at prices ranging from $200 to $2,000, and famed sculptors Jo Davidson...
...their kind ever before produced in the U. S. Last fortnight Clevelanders strolled in again, to see the first translations of the little horses and men from plaster into bronze. They were told that they were observing the joint debut and triumph of the country's leading cowboy sculptor. They could well believe...
...Will James, another Great Falls boy who worked with "cow and horse outfits" from a tender age, who knew Sculptor Russell well and who has "seen 'em all," meaning the work of cowboy sculptors, is still thoroughly alive. He keeps himself so by writing and illustrating the life he knows best. And after viewing the little casts in Cleveland, Cowboy Artist Will James said slowly: "Today's the first day I've ever seen a real cowboy ridin' a real cowpony...
...steer they had roped and were dragging out of a bog became almost visible. The proportions and positions of Student Wheeler's first three models were indeed too natural for one teacher, who declared they had no "art" in them. But even this criticism died away when Sculptor Wheeler returned from a visit to the Messrs. Korner & Wood with a quotation of $625 apiece on his first works. The acclaim of experts followed. Fame impended...
Among the 40 works by this artist who is considered one of the greatest of living sculptors, which have been collected for this exhibition. It is difficult to pick out any one of two as particularly noteworthy. Certainly the most imposing are the two large statutes: Diana and Actaeon; yet it is in a small bronze the Dancer and Gazelles that the sculptor seems to have reached the peak of his art. There is a grace and skill in the composition and execution, a fragile beauty which leaves one almost in doubt whether such a thing can be done...