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Word: sculptors (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...tall construction of stainless steel rods, which is suspended in a delicate network of wires of gold, stainless steel and fire-red enamel. It is set against a block of polished black Belgian marble, and rests in a reflecting pool of water. For the 19th-floor executive suite, U.S. Sculptor Seymour Lipton, winner of the Jockey Club's top acquisition prize at the Sao Paulo Bienal, hammered out a heroic, 7-ft.-tall Hero. There are more than 30 paintings, including a green, red, and white abstraction by Stuart Davis, a whirling Willem de Kooning, a locomotive wheel...

Author: /time Magazine | Title: Art: How to Spell Steel | 2/10/1958 | See Source »

...Fugue in Blue-Green; and Manhattan's Erne Joseph for his abstract Intersectional. The sculpture winners: Peter Abate of Brookline, Mass, for. his tamely symbolic marble Beginning of Life; Arnold Geissbuhler of Manhattan for a bronze Bird, whose cock's crow hauntingly echoes the earlier work of Sculptor Jacques Lipchitz (see cuts...

Author: /time Magazine | Title: Art in the Garden | 1/27/1958 | See Source »

...Objective Painter Adolph Gottlieb, Art Students League Director Stewart Klonis, Arts Publisher Jonathan Marshall, Old-Line Abstractionist George L. K. Morris, Realist Painter Ogden M. Pleissner and Sculptor William Zorach...

Author: /time Magazine | Title: Art in the Garden | 1/27/1958 | See Source »

...breakthroughs and yet has a recognizable stamp of authority and color mastery all his own. Homage to Soldiers (see cut) owes a debt to Miro; his Four Bathers carries echoes of Picasso and Braque. But Pirandello's interest in the human form (he first studied to be a sculptor) keeps them well on this side of abstraction. Says Italian Critic Lionello Venturi: "He is the most human painter in postwar Italy...

Author: /time Magazine | Title: Art: Bel Canto Painting | 1/6/1958 | See Source »

...what goes on behind the blank white walls of the Palazzo Venier dei Leoni, a curiously truncated structure that jealous city officials stopped at mid-construction in the 18th century for fear that it would dwarf the city hall across the way. Up from the gondola landing stands Sculptor Marino Marini's strident Angel of the City (1948), a youth on horseback equipped with a detachable phallus that is respectfully removed whenever the Patriarch of Venice floats by to bless the city. Inside the palazzo, behind a 12-ft., barbed-wire-topped wall, lies more than...

Author: /time Magazine | Title: Art: The Last Duchess | 12/16/1957 | See Source »

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