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Word: sculptors (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Holed up in a centuries-old farmhouse outside Barcelona, Spanish Surrealist Painter-Sculptor Joan Miró and Potter Josep Llorens-Artigas three years ago embarked on one of the strangest pottery-sculpture adventures since the ancient Zapotecs cooled their kilns. As Artigas described the process to the French art review L'Oeil, "Miró had collected objects over the years . . . an empty sardine can flattened by a truck, odd pieces of cork, rubber, glass, rocks . . . These chance encounters became sculptural elements to be translated into pottery." Artigas and his 18-year-old son would shape these elements in clay...

Author: /time Magazine | Title: Art: Baked Surprises | 1/7/1957 | See Source »

...Greenwich Villager who spots a discarded sewing machine, old drainpipe, truck fender or pile of angle irons these days knows just where to take it; to the cold-water flat of Sculptor-Welder Richard Stankiewicz, 34, who with little more than an acetylene torch, a welder's tools and his own vivid imagination turns junk into sculpture. Says he: "I take material that is already degenerating, flaking and rusting and then try to make something beautiful out of it. It should hit people over the head and make them ask, 'What is beauty...

Author: /time Magazine | Title: Art: The Beauty of Junk | 12/31/1956 | See Source »

...Sculptor Stankiewicz came by his love for junk naturally. He was raised in one of Detroit's toughest districts, used a foundry dump for his playground. During a World War II hitch in the U.S. Navy, he found himself whiling away time in the Aleutians by whittling caribou horn, decided to cash in his G.I. Bill on an art education. He studied with Hans Hofmann in Manhattan, polished off in Paris with Painter Fernand Lèger and Sculptor Ossip Zadkine. Back in Manhattan he set out to shape his future by reclaiming the flotsam and jetsam...

Author: /time Magazine | Title: Art: The Beauty of Junk | 12/31/1956 | See Source »

...first nine winners of $10,000 each easily met Graham's desire that recipients be up to "postgraduate work." The winners, chosen with the help of an all-star advisory committee of top architects, museum directors and Swiss Art and Architecture Historian Sigfried Giedion: Sculptor-Welders Harry Bertoia, 41, of Barto, Pa., Joseph Goto, 36, of Chicago and Keith Monroe, 39, of San Francisco; Painter Walter Kuhlman, 38, of San Francisco; Architects Frederick Kiesler, 64, of New York City and Paul Nelson, 62, an American now practicing in Paris; Painter-Film-Maker James Edward Davis, 55, of Princeton...

Author: /time Magazine | Title: The Theater: Biggest Fellowships | 12/31/1956 | See Source »

...knows he too is going to die some day." By taking her inspiration from the forms the clay suggests as she works, Germaine Richier has opened the door to subconscious promptings which French critics find "disturbing, irritating, but teeming with life." As a result they classify her as "a sculptor-poet in an age of sculptor-architects...

Author: /time Magazine | Title: Art: POEMS OF DECAY | 11/26/1956 | See Source »

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