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...matchboxes in his pocket; and since then, try as he may, his lovely, attenuated figures still look like fugitives from a cane gang. Inevitably, Giacometti's search for essentials gave his work a lean and existential look, leading Jean-Paul Sartre to write admiringly: "For him, to sculpt is to take the fat off space...

Author: /time Magazine | Title: Sculpture: Carving the Fat Off Space | 6/11/1965 | See Source »

There still are those who adhere to the permanence of cast metal. Michael Ayrton, 44, has painted for 29 years, but Moore got him to sculpt as well. Impassioned by Greek mythology, he wonders "what happens when you are partly animal and want to become wholly human." He makes his misshapen minotaurs, therefore, into symbols for man's stressful present. Bernard Meadows, 50, who assisted Moore from 1936 to 1939, also produces bronzes suggestive of figures withdrawn into abstraction. Tough, crablike carapaces cover highly polished softer forms like defenses for a vulnerable humanity...

Author: /time Magazine | Title: Sculpture: Intellectuals Without Trauma | 3/12/1965 | See Source »

...eleven. His later friends were abstract expressionists of a generation older than pop: Kline, De Kooning and Marca-Relli. Pepperonis & Provolones. In his 30s and 40s Agostini began making commercial sculpture. He made plaster mannequins for a fashionable Manhattan women's store. This led him to sculpt pseudo-delicatessenry for the U.S. Army Quartermaster Corps. He molded polyester salamis, pepperonis and meat loaves-stuff that by some pop values would be worth bundles...

Author: /time Magazine | Title: Sculpture: Plaster Cornucopia | 11/13/1964 | See Source »

When the lights go up for intermission at Funny Girl nearly everyone dives into the Playbill to find out all about Barbra Streisand. They don't learn much. Barbra is still onstage even in the biographical notes. She writes them herself. Her lifework has been to elevate and sculpt her own archetypic personality, and no string of drab printed facts is going...

Author: /time Magazine | Title: Broadway: The Girl | 4/10/1964 | See Source »

...Young U.S. Living in the times of the French Enlightenment, Houdon became one of the first sculptors to live independent of noble patronage. He did the great intellects: Voltaire, Diderot, Condorcet, D'Alembert, Buffon. Commissions then brought him to the young U.S. to sculpt Washington in his stolid soldierliness, Franklin in his honest wisdom, Jefferson in his aristocratic brilliance...

Author: /time Magazine | Title: Art: The Honest Chiseler | 1/31/1964 | See Source »

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