Word: se
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...rhetorical intensity of metaphor and a great depth of experience. After Guernica he could still paint very well: L'Aubade, in 1942, with its stark intimations of confinement and oppression, seems to distill the mood of occupied France. Some of his portraits of Dora Maar, Marie-Thérèse's successor as his mistress, are of ravishing and edgy beauty...
...other side of these chthonic appetites lay some of the most haunting images of metamorphosis and erotic fulfillment in the history of Western art. They were provided by his affair with Marie-Thérèse Walter, a young woman whom Picasso picked up outside a Paris department store in 1927. He was 45, feeling trapped in a sour marriage to the Russian dancer Olga Koklova; Marie-Thérèse...
...Pictures are made the way the prince gets children," Picasso remarked a little later, "with the shepherdess." In Marie-Thérèse, he found a shepherdess?a placid, ill-educated and wholly compliant blond, who had never heard of him or his work, and offered nothing that even Picasso's egotism could interpret as competition. She became an oasis of sexual comfort. His images of Marie-Thérèse reading, sleeping, contemplating her face in a mirror or posing (in the Vollard suite of etchings) for the Mediterranean artist-god, Picasso himself, have an extraordinarily inward quality, vegetative and abandoned...
...metamorphic sculptures of Marie-Thérèse from the early '30s, involutes of swollen dreaming bronze in which cheek is conflated with buttock, mouth with vagina, have a wonderful tenderness and power as plastic surfaces. Even the plumpness of the bronze cast provides the suggestion of skin, while the slightly fuzzy texture of the metal further equivocates, not with the look, but with the feel of flesh. In some ways, the shapes of Marie-Thérèse, smooth and closed, are like the totemic bone forms of Picasso's grotesque anatomies of the '30s, the projects for immense figure-based...
...bestowed little love on his children after they passed the age of cherubic portraiture. Born over a span of 28 years, they were: Paulo, his only legitimate child, by Dancer Olga Koklova (he died in 1975); Maya, by Marie-Thérèse Walter; and Claude and Paloma, by Franchise Gilot. One of the few paramours or wives with any pretension to intellectuality, Gilot (now married to famed U.S. Scientist Dr. Jonas Salk) was co-author of a bitter book, Life with Picasso, in which she calls him a manipulator of human beings: "He loved only one thing...