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...SE: There's a hunger for good stories. A lot of the movies I see I just zone out, because I don't get gripped. Everything has gotten so technical for awhile, you wind up just out-technicaling yourself, you know, until the point where you can't go anywhere, where you're stopped by technology in a lot of ways. I think there is a great hunger for stories about people, and the idea of empathizing with characters has kind of gone away. Traveling around with this movie, I've heard lots of people actually empathize with the characters...

Author: By Adam J. Ross, CONTRIBUTING WRITER | Title: Interview: Leave it to Weaver | 2/11/2000 | See Source »

...SE: It started with Kathy Kennedy and Frank Marshall [two of the producers], they had auctioned the book awhile ago, and were trying to kind of get it going. They became familiar with my work in the theater, and they gave me the book, and I just loved it. When we were putting it together, we made a decision, because it was my first movie and because it's a complex movie, they afforded me the opportunity to tell the movie the way I wanted to tell it. First Look has a branch called Overseas Film Group, and they...

Author: By Adam J. Ross, CONTRIBUTING WRITER | Title: Interview: Leave it to Weaver | 2/11/2000 | See Source »

...SE: It's so completely different. A lot of people ask that question, and it's a hard question to answer. Theater is so visceral, it's so in the moment and you have a picture of it all the time, the acting is all about body and language, and the language is very different. Film is about image, and what I found so beautiful is that you can be more intimate than you can on the stage. But it was challenging. The fun thing about filmmaking for me was that it didn't just use the art part...

Author: By Adam J. Ross, CONTRIBUTING WRITER | Title: Interview: Leave it to Weaver | 2/11/2000 | See Source »

...SE: I say "heightened naturalism," but it's really my version of naturalism. I say "heightened" because I've found in front of the camera that stillness passes for naturalism, that there doesn't have to be any kind of behavior, that there has to be this sort of tightness, which is a myth in my opinion. When actors open their mouths and speak and are expressive, when they use their bodies, use their faces, that is natural to me. In films, actors are often very, very still because they're afraid of moving outside the camera, or the camera...

Author: By Adam J. Ross, CONTRIBUTING WRITER | Title: Interview: Leave it to Weaver | 2/11/2000 | See Source »

...SE: We rehearsed a lot. We only had 30 days to shoot, so we had to get really prepared. So the "heightened naturalism" is really my version of naturalism. My feeling is that we're never still, as people we're always moving, we're nodding or fidgeting or doing something, so I think those things, to me, are the things which make characters on the screen "human...

Author: By Adam J. Ross, CONTRIBUTING WRITER | Title: Interview: Leave it to Weaver | 2/11/2000 | See Source »

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