Word: seagram
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Dates: during 1950-1959
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...that Frank Lloyd Wright is gone, chief rivals for the title of world dean of international architects are German-born, Chicago-based Ludwig Mies van der Rohe, 73, whose skin-and-bones style (Manhattan's Seagram building) has spread the vogue for glass-curtain walls across the U.S., and France's prickly, Swiss-born Le Corbusier, 72, whose dramatic structures (Ronchamp Chapel) qualify as large-scale sculptures in concrete. Last week "Corbu," who has long been rankled by the fact that U.S. clients have fought shy of his turbulent genius, landed his first U.S. commission...
...Seagram Building represents the consummation of the classicism of Mies Van Der Rohe. Rarely has such refinement, such tastefulness and simplicity been applied to what Frank Lloyd Wright derisively labeled, the "cereal box" style of architecture. Yet "cereal box" or no, most important modern buildings as well as those throughout the ages have used the rectangular solid as their basic form...
...more baroque outlet. From now on, if money, showmanship, and just plain spectacle count for anything. The Four Seasons will be synonymous with the world's costliest restaurant ($4.5 million to build), which swung open its Park Avenue doors this week on the ground floor of the bronzed Seagram Building...
...Much Glass. As building after building in the exhibition shows, the major debt of the U.S.'s younger architects is owed to Chicago's German-born Ludwig Mies van der Rohe. His bronze-sheathed Seagram Building, shown glowing against Manhattan's skyline, is a masterful exposition of how the steel cage can, by the very economy of its means and richness of its texture, become a masterpiece. But in the most advanced projects, it is equally clear that few architects now consider themselves blind Mies followers...
...works by Walter Gropius, Mies van der Rohe and Le Corbusier, he belabored these men as "glassic architects" and worse. He dramatically ranged himself against the sweeping tide of .the International Style. Manhattan's United Nations Secretariat was a "tombstone," Lever House "a waste of space," the Seagram Building "a whisky bottle on a card table." The steel-cage frame was "19th century carpenter architecture already suffering from arthritis of the joints." Boxy modern houses he called "coffins for living...