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...keep Nick. Murray must go back to his old TV job. Murray's notion of re-ingratiating himself is to look out of his agent's mid-Manhattan office window and remark casually. "Why, there's King Kong sitting on top of the Seagram Building. He's crying. Someone should have told him they don't make buildings the way they used to." Out of the squawk box on the agent's desk comes the brassy voice of Chuckles the Chipmunk (Gene Saks) to put the whammy on Murray's whimsy. The ensuing...

Author: /time Magazine | Title: Theater: High Good Humor | 4/13/1962 | See Source »

...building's clean design results in part from Saarinen's admiration of the lines of Mies van der Rohe's Seagram Building in Manhattan. Saarinen decided that the only way to best the master was to be even purer. He took as his clue the words of pioneer Skyscraper Designer Louis Sullivan, "a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line." The idea of purity so ruled his design that CBS had to buy two adjoining lots for a utility building, rather than...

Author: /time Magazine | Title: Art: Without a Dissenting Line | 3/2/1962 | See Source »

High up in his office in Manhattan's Seagram Building, which he helped Mies build. Johnson is apt to feel a bit wistful about the old days. "Of course I'm nostalgic for the old period of battle when we all fought for the International Style. Everyone hates labels, but that's what we were-there was a style, a movement, a discipline." Now, says Johnson, architecture is moving not in one direction but many. The result may be chaos, but there could also be even more excitement...

Author: /time Magazine | Title: Art: Return to the Past | 9/5/1960 | See Source »

...that Frank Lloyd Wright is gone, chief rivals for the title of world dean of international architects are German-born, Chicago-based Ludwig Mies van der Rohe, 73, whose skin-and-bones style (Manhattan's Seagram building) has spread the vogue for glass-curtain walls across the U.S., and France's prickly, Swiss-born Le Corbusier, 72, whose dramatic structures (Ronchamp Chapel) qualify as large-scale sculptures in concrete. Last week "Corbu," who has long been rankled by the fact that U.S. clients have fought shy of his turbulent genius, landed his first U.S. commission...

Author: /time Magazine | Title: The Press: Corbu at Harvard | 11/30/1959 | See Source »

...Seagram Building represents the consummation of the classicism of Mies Van Der Rohe. Rarely has such refinement, such tastefulness and simplicity been applied to what Frank Lloyd Wright derisively labeled, the "cereal box" style of architecture. Yet "cereal box" or no, most important modern buildings as well as those throughout the ages have used the rectangular solid as their basic form...

Author: By Ian Strasfogel, | Title: Form Givers at Mid-Century | 10/2/1959 | See Source »

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