Word: seal
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Dates: during 2000-2009
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...from their experiences and obsessions. Both worked fast--at least a movie a year for most of their long careers--and relatively cheap. Both forged long relationships with their sponsoring studios. And Bergman was a strong influence on Allen's work: from his New Yorker parody of The Seventh Seal ("Death Knocks," in which the hero plays not chess with Death but gin rummy) to a cameo by the Grim Reaper in Love and Death and, more deeply, the inspiration for the theme and tone of Interiors and Another Woman. Shooting his new film in Spain, Allen took time...
WOODY ALLEN: I agree. For me it was Wild Strawberries. Then The Seventh Seal and The Magician. We knew that Bergman was a magical filmmaker. There had never been anything like it, this combination of intellectual, artist and film technician...
...agree. For me it was Wild Strawberries. Then The Seventh Seal and The Magician. That whole group of films that came out then told us that Bergman was a magical filmmaker. There had never been anything like it, this combination of intellectual artist and film technician. His technique was sensational...
...obsession. He was brought up religiously [his father was a Lutheran minister] and it wasn't simply a question of atheism or not. He longed for the possibility of religious phenomenon. That longing tortured him his whole life. But in the end he was a great entertainer. The Seventh Seal, all those films, they grip you. It's not like doing homework...
...Seventh Seal, Wild Strawberries, The Magician, Cries and Whispers and Persona...