Word: seamless
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...Reverse” was my very first encounter with Built to Spill. Alas, instead of encouraging me to jump headfirst into the world of indie rock, most of the tracks on this album struck me as little more than background music. The instrumental arrangements and execution are seamless, but the reverb-heavy production establishes a clear divide between album and audience. Most of the album is fairly chill music perhaps best suited to spacing out; many of the songs drag on far too long without significant changes in the form or feel. There is a degree of self-indulgence...
...very much who I am.”A ‘SEAMLESS’ TRANSITIONHomeschoolers from all backgrounds praise this type of flexibility and independent learning style, skills that can be important for college life.Hudson characterizes the transition from homeschooling to college as “pretty seamless.”“Homeschooling almost prepares you better for college, and especially a college like Harvard,” Hudson says. “As a homeschooler, a lot of it is kind of up to you in taking very personal ownership of your education...
...interact directly, but their roles enhance each other, especially in segments that are parallel between the two—for example, a woman’s monologue on rape is mirrored by a scene among the men about being wrongly accused of rape.This adaptation is so seamless that it became difficult to conceive of the two plays as separate entities. The actors were given the difficult task of taking on all this humor, grief, and occasional didacticism, largely in monologue form without reliance on interaction between characters. By and large, they rose wonderfully to the occasion. Among the men, Bryan...
Narrated from the perspective of a thirtysomething Lee, “Prep” fluidly vacillates between the point of view of the older and wiser and the nervous teenage version of the character. This temporal transition is so seamless, in fact, that the reader easily absorbs the adult musings without growing detached from high school Lee’s emotions...
...While the plays were discomfiting, they were all interesting, even when it was hard to know exactly what to make of them. They hung together surprisingly well, partially because they all dealt with themes of loss, isolation, decay, and circularity, and partially because the transitions between plays were seamless, to the extent that nobody clapped after the first or third plays because it was difficult to pinpoint the moment that the first play became the second and the third the fourth. While the performances were universally strong, some effects of the plays were inevitably dulled by the staging. Many...