Word: seamlessly
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...Cartier-Bresson, Avedon gives us everything he and the lens record, including the dark edges of the film itself. This sharp edge forces the eye inward to the details effaces and nuances of expression. Avedon's pictures are lean, made with soft daylight and bouncelight against a white, seamless background. They are also stark because of the moment that Avedon tries to capture, as in the 1955 picture of a youthful Truman Capote. He reads the eyes of his subjects, waiting for that second when they reveal the facet of character he wants: he allows an older puffy-faced...
...Paula Robinson, who directed a recent Harvard Chamber Players performance of Differences, likened Berio to "a troubadour being harassed by machines, yet still loving them." Individual lines are full of wide leaps and bizarre, shifting rhythms, but like Jackson Pollock's dribblings of paint, the lines fuse into a seamless fabric when played together. The sound is not thoroughly blended or homogenized like that of a Romantic string quartet, but there is a dramatic movement which, like the individual drops of water which merge to create a wave, can sweep a listener along...
...seamless interstate zipper did plunge to the American root. That what-ever-it-is that winked from under hooded flaps of hot-rolled steel and pierced numb-screaming into the pitch of the flesh-ringed blackness; that fired in ringing engines and hung grey-eyed in their dribbling wake. For a day and a half, Fred and I raced through the tidal hours in his bronze-bodied van, but the American whatever stayed with us always. Caught in its plastic envelope like marbles in a dime-store package, we pressed never-ward with eight cylinders and 287 horsepower, spinning down...
...vaguely, duskily across the spread of road and desert that lap across each other here, where the march of flourescent poles has not yet reached. Catching our headlights in smoothflowing creaminess, the antlers pierce mutely our forward fall: motionless, steady in their chrome cage, at the fore of our seamless void, too strong, too immutable in their decay for our quick-lipped, easy spun gasp of time...
This version of The Siege of Corinth, pieced together by conductor Thomas Schippers from 35 varying scores of the opera and 2800 pages of original manuscript, is seamless and vibrant, and adds a rare tragic work by Rossini to the stock of his popular comic operas. Schippers is apparently as good at sewing musical segments together as Rossini, who constantly borrowed from old operas to write new ones, and who was so cavalier about detail that if a page of his manuscript fell to the floor while he was composing, he'd write a new one from memory, being...