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Intense as they are, the beams aimed at the moon are not powerful enough to damage an aircraft flying thousands of feet above the laser gun. But the high-energy light could sear the retinas of a pilot or passenger who happened to look directly into it. So far nothing of the sort has occurred, but the FAA is taking no chances. The observatories themselves cooperate by stationing aircraft spotters outside to watch the skies whenever experiments are in progress. If a plane is seen near by, scientists hold their fire until it has passed...

Author: /time Magazine | Title: Science: New Danger in the Sky | 3/15/1971 | See Source »

...terms of vouge, yes. You always latch onto the word that is most dramatic, since Madison Avenue has trained us for that, in order to make an image sear the brain. To some degree, "black" has done that. Unfortunately, I think that white society has taken the use of the word "black" so literally that hundreds of actors who, like me, don't happen to be darkcomplexioned, and who in a T.V. commercial or on a stage, don't necessarily read "black," because there's nothing "racial" or "Negroid" (and I mean those words in the derogatory sense...

Author: By Jeffrey S. Golden, | Title: Genet's The Blacks: A Director's Viewpoint | 2/5/1970 | See Source »

...filmed version of the play (TIME, Feb. 28, 1969), and Williamson is a man of the theater in the same way that a tiger is a creature of the jungle. This means that he transcends the celluloid and holds the audience in a dramatic vise. His eyes sear the viewer. He is not speaking to the air; he is speaking to you. As far as Williamson is concerned, elocution be damned. Poetry be damned. Meaning is all. Never has Hamlet been rendered with more clarity or more biting timeliness, and that includes Gielgud, Olivier and Burton. Shakespeare held the mirror...

Author: /time Magazine | Title: Cinema: Elsinore of the Mind | 1/12/1970 | See Source »

...ecstasies that may be found in death, martyrdom and love. He felt that the theater was strangling in words and could be reborn only through signs, sounds and the primitive force of myth. Above all, he wanted a burning intensity to be felt in the theater that would sear an audience: "The spectator who comes to us knows that he has agreed to undergo a true operation, where not only his mind but his senses and his flesh are going to come into play. He must really be convinced that we are capable of making him scream...

Author: /time Magazine | Title: Repertory: Secular Holiness | 10/24/1969 | See Source »

...patient's upper tooth. Feeling nothing, the patient relaxed and then, in an instant, realized the dentist was pushing harder and harder at the tooth. "My God, he's gone mad," the patient screamed to himself, as the dentist pushed and pushed, driving the patient up out of his sear toward some pain-embracing, nauseous state of being between ceiling and floor. He heard his tooth crack. "That's one," the dentist said. "Just relax," the nurse added. And the patient felt the dentist stitching the great hole in his mouth back together...

Author: By Nicholas Gagarin, | Title: Teeth | 12/18/1968 | See Source »

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