Word: season
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Dates: during 1950-1959
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...clear that you have chosen to act as apologist for Lee Falk's now defunct Boston Summer Theatre, and, more especially, for the Group 20 Players at Wellesley, now in their sixth season. I have no intention of taking one side or another in any conflict between the C.D.F. and Group 20; as a journalistic critic, I have been to see and/or review almost all the summer play productions in the area for a good number of years, and my admiration for the impressive roster of achievements by both these groups is strong. But your letter contains so many errors...
...cite the demise of Lee Falk's Boston Summer Theatre, which until three years ago you co-produced with him in New England Mutual Hall. Now the fact is that Mr. Falk, having lost money in recent summers, had already decided to forego a 1959 season and to sell all his theatrical property before the new MeBAC theatre was given the go-ahead...
Then, Mr. Capp, you failed to mention at all that, although Falk's project has been discontinued, another new group under the aegis of the Boston Summer Playhouse is now offering its first season of shows at the Charles Playhouse in Boston. The Tufts Arena Theatre seems to be getting along as well as ever; and the several local music circuses are reportedly doing unprecedentedly good business...
Besides this, Group 20 has had seasons of high artistic success and still lost money. And Falk's finest season was the one that put him most in the red. So let's not drag in the bogus issue of profit and loss...
AGES OF MAN (Columbia). Sir John Gielgud's Shakespeare sampler is presented at roughly half the length at which it was seen last season on Broadway. Gielgud's voice is never a particularly impressive instrument, and when the going requires full bellows, it seems in danger of failing him altogether. But it still possesses what it demonstrated so triumphantly onstage-the ability to roll out some of the most famous lines in the language in a green-gaged glow of surprise...