Word: seasoned
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Dates: during 1950-1959
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...open season on culture in Manhattan used to begin with the first stroke of a Metropolitan Opera baton. But last week, with the Met season still a fortnight away, the town was jumping with cultural high jinks to satisfy almost any taste. Among the early season successes...
Opera. The New York City Opera, which sandwiches its six-week fall season into the post-Labor Day lull before the Met's opening, was offering one of the most imaginative seasons of its inventive career. For his opening, Director Julius Rudel presented an improbable but highly successful pairing of Igor Stravinsky's austerely stylized Oedipus Rex and Carl Orff's lightly lyrical Carmina Burana, both conducted by Leopold Stokowski. The audience took to the double feature so enthusiastically that an additional performance was scheduled for last week. The season's second big hit: a superb...
Carmen, Traviata-plus Kurt Weill's Street Scene and a new production of The Mikado. The very variety of the season, he thinks, is a tribute to an audience that cheerfully accepts City Center's small-scaled, tightly budgeted productions. "I don't have to do all the work for this audience," says he. "They don't want just to sit back and feel gorged...
...Chicago Lyric Opera, Medea and Ariadne auf Naxos with the San Francisco Opera. Last summer she took her great voice to Europe, won loud ovations in both London and Spoleto. Last week she received the most cherished honor of all: an invitation to sing with the Metropolitan Opera. Next season, Met Manager Rudolf Bing announced, null will be cast in the title role of Gluck's Alcestis. an opera last heard at the Metropolitan at Kirsten Flagstad's emotion-packed farewell performance in 1952. Said Soprano Farrell"I guess there wasn't anyone else around who could...
...meantime, De Groot is filling out his concert season with old standbys, e.g., the Brahms version of Bach's Violin Chaconne, which he played last week to critical huzzahs on the Dutch radio. He is also rearranging pieces by Debussy, Grieg, Liszt, Rachmaninoff. And if the day should ever come when he exhausts both the old and the new repertories, he sees an almost endless future in recording. Under the name "Guy Sherwood," for instance, he appears in a radio series on which he plays numbers such as Kitten on the Keys, for which he has deftly recorded first...