Word: seat
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...Produced by Veronica T. Golin ’07 and Stephen T. Volpe ’07, “Autobahn” takes as its stage the front seat of a car; a series of short dramas reveals five couples at critical moments in their relationships. “Autobahn” is a character-driven play in several senses of the word, and its tight focus on the relationships it depicts in each piece results in a truly intense 90 minutes...
...dramatic tension in each play revolves around the exposure of the “story” behind each couple’s relationship that has created the current crisis, and the actors excel at gradually conveying that explication over the space of twenty minutes in a car seat...
...also at her best in “Road Trip.” Cregg displays a level of sensitivity as the vulnerable high school student that doesn’t appear in her caricatured appearance in the initial mini-drama, “Bench Seat,” as a teenaged girlfriend with separation issues...
...reluctant boyfriend in “Bench Seat,” Michael B. Hoagland ’07 brings the same aw-shucks, ingenuous façade to his character that he had in this fall’s Mainstage play, “The Marriage of Bette and Boo.” The HRDC veteran’s somewhat one-dimensional performance, although comical, occasionally falls flat in “Bench Seat”–but Hoagland’s presence becomes exponentially more powerful and direct in his second appearance, in the drama...
...designed by Lizzie J. Rose ’08, is visually interesting without detracting from the drama. It primarily consists of a group of TVs and a video screen that surround the central car seat; videotapes of the actors explaining their personal thoughts and opinions, reminiscent of reality TV, appear between mini-plays...