Word: seawright
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Dates: during 1966-1966
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Madcap Circuitry. James Seawright's spidery electronic sculptures could be Paul Klee's fidgety drawings turned into robots. New York's Modern Art and Whitney museums each snapped up one of the beasts from the tech stylist's first one-man show at the Stable Gallery. "For the artist to ignore the possibilities of technology would be utter folly," says Seawright, and he seems to have ignored few. His Watcher took 6½ months to produce; its tiny lights flicker in programmed sequences, photocell-tipped antennas bob about like tentacles, seeking the lights, and a speaker...
Because of their photoelectric cells, Seawright's machines respond to one another and to the presence of people. When Searcher beams light from its circling radarlike dishes, Scanner's flailing arm picks up the beacon with its light sensors; then Captive, impelled by a motor, skids and twitches about on a mirrored platform. "The machines process information," says Seawright, 30, an Ole Miss grad who instructs at Manhattan's Electronic Music Center (run by Princeton and Columbia). "Their cells and sensors collect information on light and sound, and they behave accordingly. My aim is to produce...
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