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...Verve). The title is a tortured joke, but the music is airy and inventive, if a bit dry. It consists of jazz improvisations on classical, Renaissance and medieval styles of music. Several ensembles, one predominantly strings (Beneath a Weeping Willow Shade), one heavy on the horns (Blues for Johann Sebastian), are led by Schifrin, who also plays an ornamental harpsichord...

Author: /time Magazine | Title: Time Listings: Oct. 28, 1966 | 10/28/1966 | See Source »

...prose, particularly the fiction, is disappointing. Gregory Dalton's "The Beard Lady," told in a kind of backdoor Joyce via Sebastian Dangerfield, has the feel of a lengthy anecdote with a flat punchline; Frederick Field's more successful story wears on into tedium, and is perplexingly structured...

Author: By Stuart A. Davis, | Title: The Boston Review | 10/20/1966 | See Source »

FAMILY AFFAIR (CBS, 9:30-10 p.m.). A globe-trotting bachelor (Brian Keith) and his urbane valet (Sebastian Cabot) become unprepared parents to the bachelor's orphaned twin nieces and nephew...

Author: /time Magazine | Title: Television: Sep. 9, 1966 | 9/9/1966 | See Source »

Rebels & Repairmen. In defiance, Catholic Action members two weeks ago took part in a demonstration of 3,500 Madrid workers seeking higher wages. Priests and seminarians seem almost equally restive, in search of change and experiment. In San Sebastian, for example, after students for the priesthood refused to attend certain spiritual exercises at the diocesan seminary, Bishop Lorenzo Bereciaurta closed down its theological department and expelled five of the rebels. And in a suburb of troublesome Barcelona last week, five priests opened a motorcycle repair shop in a slum, boldly announcing that they intended to become "worker priests...

Author: /time Magazine | Title: Roman Catholics: Troubled Citadel | 7/15/1966 | See Source »

...tepid. Adolph Caesar brings a rich voice to the Priest, but his make-believe senility is false. Stephen Pearlman's Antonio exhibits acrocious diction and no comprehension. And how could the director allow him to pass right by Viola-Cesario when exiting in pursuit of the look-alike Sebastian without Antonio's batting an eye? The suspension of disbelief can stretch only...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

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