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Another nonagenarian merchant finally called it a career last week. One week after his acquaintance and competitor Sebastian Spering Kresge retired at 98 as chairman of S. S. Kresge Co. (TIME, July 1), William Thomas Grant celebrated his 90th birthday by announcing that he was relinquishing the titles of chairman and director of the W. T. Grant...

Author: /time Magazine | Title: Retailing: Grant Surrenders | 7/8/1966 | See Source »

Peter Stuart is an attractive Sebastian. And, perhaps taking a cue from his remarks, "I am yet so near the manners of my mother," his performance is rather effeminate, which has the virtue of meeting half way that of his twin sister Viola disguised as a boy. Alas, their speech shatters any illusion that they could possibly be siblings, let alone the same person. Stuart's is refined, musical, obviously British-trained; Joan Darling's is edgy, ugly, obviously American. Again and again she murders the meter; and, in her beautiful "patience on a monument" speech and elsewhere, she seems...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

Employees at S. S. Kresge Co. say that their founder has always "looked at money as a tool," and there is no doubt that Sebastian Spering Kresge has used dimes as crowbars. When he was in formed years ago that his variety-store chain had reached sales of $10 million, he noted that the sum was "100 million dimes." Closely watching the pennies as well, Kresge insisted that he "never spent more than 300 for lunch in my life," and admitted giving up golf out of fear of losing too many golf balls. For all his personal frugality, Kresge...

Author: /time Magazine | Title: Retailing: Kresge's Ten Billion Dimes | 7/1/1966 | See Source »

...effect is that of making Mondrian's Boogie-Woogie paintings swing. Agam calls his works "contrapuntals," has even named one Homage to Johann Sebastian Bach for its fugue of color. He uses this oblique approach, he says, to avoid the Judaic religious restrictions on graven images. "In flux, one cannot perceive reality, but only a part of it," he says. As a result, his works may not stand alone impressively enough as masterpieces, but they seem a magnificently practical way to transform blank-walled, vast public wastelands and enormous rooms into lively and provocative architectural gardens...

Author: /time Magazine | Title: Painting: 180° Boogie- Woogie | 5/27/1966 | See Source »

...Real Life of Sebastian Knight (1941), Bend Sinister (1947), Puin (1957), Lolita (1958) and Pale Fire...

Author: /time Magazine | Title: Books: Face Value | 5/20/1966 | See Source »

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