Word: sebryakov
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Dates: during 1960-1969
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Laurence Senelick's Sebryakov is just as successful, but then his job is easier. He grates on everyone, he demands attention and energy from all, and his presence, like that of a great brooding ogre, hangs over the stage when he is off it. Among the one-dimensional characters, Gloria Maddox's Sofya, and Bruce Kornbluth's Telyegin are well put-together too, (though someone ought to get Kornbluth a balaika and get rid of that Everly Brothers-vintage guitar he's stuck with), and Gertrude Crippen's Marina is excellent...
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