Search Details

Word: seconds (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Television sets will be available for watching Wednesday's Apollo launch at Matthews 6, the second floor of the Union, and in the Holmes Hall common room...

Author: NO WRITER ATTRIBUTED | Title: Moon Launch Fans | 7/15/1969 | See Source »

...Stolle had just won his second three-set singles match at the U.S. Pro champion ships. He had won it beautifully, rebounding from a crushing 6-3 loss in the first set to shut off Holmberg's excellent placement game with 6-4 and 6-2 triumphs in the following two. Several Boston writers, eager for copy, were tentatively urging questions, trying to make the usually silent Stolle open...

Author: By John L. Powers, | Title: Longwood Success Fails To Dim Stolle's Life | 7/15/1969 | See Source »

...find relatives--whose existence I have previously been quite unaware of--but who have nonetheless managed to acquire a hotel and are, surprisingly enough, getting on. Well, seeing Brendan Behan's The Hostage at the Loeb a few nights ago almost changed all that. Though I'm sure my second cousin's hostel cannot be half as entertaining as the brothel in which Behan's play is set (in fact, to judge from those of my relatives who came to this country, I'm sure it's not even a tiny bit as entertaining), I was nevertheless ready to leave...

Author: By Grego J. Kilday, | Title: The Hostage | 7/15/1969 | See Source »

...sing. Don't believe it. From her first words as Meg Dillon, the caretaker's mistress, Sheila Hart is in character as a woman (Meg) relaxed and yet confident as she consciously plays ringmaster to the living theatre that is her brothel. In just a few seconds, she similarly includes the audience in her barrage of insults and confidences. Her bitter ballad near the end of the second act, where she is backed by the male members of the cast, is simultaneously heartbreaking and triumphant, and I'm sure that if I were more of an Irishman it would have...

Author: By Grego J. Kilday, | Title: The Hostage | 7/15/1969 | See Source »

Among the black novelists now writing, though, John A. Williams has come as close as any to putting into fictional terms the experience of being black in America. Williams' secret: his characters are human first, black second. In The Man Who Cried I Am, for instance, the problem of surviving as an artist was treated as carefully as the problem of surviving as a black. Williams' protagonist was a writer who happened to be a black as much as he was a black who happened to be a writer...

Author: /time Magazine | Title: Books: Eye for an Eye | 7/11/1969 | See Source »

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