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What you get is “The Secret of Kells,” a 75-minute independent Irish film directed by Tomm Moore and nominated for best animated feature at this year’s Academy Awards. It is a mesmerizing and poetic film that combines narrative momentum, conceptual depth, and an impressively stylized aesthetic...
This breathtaking adventure movie is original in many ways. “The Secret of Kells” is 95 percent hand-drawn, a technique nearly abandoned since the Disney Golden Age, and it stands out as a visual gem. Moore uses vibrant colors to create an innovative animation which weaves together medieval Celtic art and unique, contemporary imagery. On a plot level, the stakes in the film are not so much about losing one’s life as losing sacred spiritual knowledge...
...protagonist of “The Secret of Kells” is Brendan, a charming 12-year-old red-headed boy. The film follows Brendan’s journey as he tries to understand what is important, decides who to obey and disobey, and courageously searches for his own path. The authority he has always looked up to is his stern uncle, Abbot Cellach, who prioritizes, above all, the construction of a wall that would protect the abbey against a Viking attack. But Brendan soon meets Aidan, an abbot who believes in finishing and preserving a sacred manuscript. This manuscript...
...Secret of Kells,” Moore makes an important reconciliation between structured civilization and the natural world. As Brendan contemplates whether or not to disobey his uncle and venture out into the forest, Aidan tells him, “You learn more from the trees and rocks and see more miracles in the forest than in any other place—this is what the abbots knew long ago.” Moore links the two visually, showing similar symbols inside the abbey and outside in nature. In the forest, two orphans, a girl and a boy, one from...
...Secret of Kells” is enchanting and imaginative. It is funny, at times scary, and always beautiful. Moore effortlessly intertwines historical facts with visions, legends, and imagination, as he presents universal ideas within the make-believe...