Word: sectionã
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...spent on guard.Whether or not you are used to being bitten by the awkward turtle, unwittingly revealing one’s inner creeper is never pleasant. So, now when you fight the urge to wave at that warm-ups boy from your house, or comment on that girl in section??s Facebook pictures, remember it could be worse—with the largest number of varsity teams of any Division I university, being a secret Harvard DHA creeper is no easy task.—Staff writer Alexandra J. Mihalek can be reached at amihalek@fas.harvard.edu...
...concentrator so we just haveta do Psets and stuff, not really, you know, talk. Some people are just good at that stuff,” he whispered in a language I could understand. But later that week, Flemings made a guest appearance in my section??he was going to have to miss class to row in the Head of the Charles. It was then that I discovered that Flemings, despite his apparent disingenuousness, had been hiding something. He, too, spoke the second language of the Harvard student. “I take issue with the state Court?...
...country to display their artwork. The Peabody was one of their first stops. Since then, Bailey has developed a following in Cambridge, according to Castle McLaughlin, the associate curator of Native American Ethnography at the Peabody Museum. Bailey said her customers are a true “cross section?? of the country. One of her friends, Joan Cok, traveled all the way from Albuquerque to see Bailey, whom she describes as “vivacious—just a wonderful lady.” Bailey has likewise developed close relationships with the artists she works with. McLaughlin...
...Gore faked a three-point attempt from the top-left, getting Crimson sophomore guard Dan McGeary to bite. Gore, who finished with a game-high 14 points, calmly steadied himself and sunk the now wide open three-pointer. The sold-out crowd—led by the deafening student section??went wild.“They’ve certainly done a good job getting a pretty good atmosphere—it was rocking all night,” Pusar said. “They were out here a good 45 minutes while we were warming up already...
...choreographed by Office for the Arts Dance Assistant Joshua Legg, opened with a stunning silhouette of the entire corps. Michael Torke’s “Change of Address” accompanied most of the dancing throughout the four sections of the piece, but each section??s movement began and ended with silence, providing intense focus on the dancers...