Word: sectional
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...There isn't a festival of documentaries in Mexico. This gives everyone in different cities the opportunity to see, for half price, films from all over the world. There's an official selection, a section about censorship and an experimental-documentary section. We also have a section dedicated to Witness, an organization that provides equipment for documentaries that denounce human-rights abuses...
...long ago I had an apple problem. Wavering in the produce section of a Manhattan grocery store, I was unable to decide between an organic apple and a nonorganic apple (which was labeled conventional, since that sounds better than "sprayed with pesticides that might kill you"). It shouldn't have been a tough choice--who wants to eat pesticide residue?--but the organic apples had been grown in California. The conventional ones were from right here in New York State. I know I've been listening to too much npr because I started wondering: How much Middle Eastern...
...Akiba, department administrator in the Literature concentration. “Cutting back is always hard.” Students miss it too. Sam E. Prevatt, a second-year graduate student, is disappointed by the cutbacks. He describes the afternoon coffee hours as a social experience. “After section, we would come down here and linger,” he explains. Other students are just grateful for free coffee, even with the reduced hours. “It’s better than Annenberg,” says Olga A. Moskvina ’10. Melin says life...
...presidents, and, to quote Wiki, “Many Quakers feel their faith does not fit within traditional Christian categories of Catholic, Orthodox or Protestant, but is an expression of another way of experiencing God.” I want my free growler! Dear Attractive Girl in My English Section, Look at me, dammit. Sincerely, ????? Hey kid at the Advocate who was dancing with a broom all night: I really respect that. To people who ask questions in lecture, Do not waste everyone’s time on something you didn’t hear or understand completely. Your learning...
...piece, intended to explore the complexities and sexual tensions of dreams, is successful in capturing a disjointed and dreamlike state. The use of lighting is particularly effective in this number, accentuating the dancers’ expressions and helping to clarify the subtle shifts between sentiments. In one especially memorable section, the dancers, cast in a bluish light, simulate swimming motions in the air. The only disappointment of the work is not in the dancing, but in the singing. The live duet between soprano Sandra Patrikalakis and contralto Susan Larson often detracts from the beauty of the choreography; overall, however...