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...research team studied data on 1,970 children - about half boys, half girls - and their families, all participants in the Quebec Longitudinal Study of Child Development. The children were born between October 1997 and July 1998 and represented a socio-economic cross-section of Quebec society. Mothers were surveyed about their children during their earliest school years - every six months up to age 6 - in order to determine how often children complained of suffering physical violence at school, being called names or being teased by their peers. Subsequently, the study asked the same questions of teachers and the children themselves...

Author: /time Magazine | Title: Which Kids Are Most Vulnerable to Bullying? | 10/14/2008 | See Source »

...interpreter to set the mood of the dance. Lam was both desperately somber and charmingly lighthearted, and his unmatchable plasticity gave way to extraordinarily sketched patterns in the air.One of the fireworks came early, in the form of an excerpt from the “Rubies” section of George Balanchine’s full-length plotless ballet “Jewels.” Considered the crown of Balanchine’s jazzy, bold, American-inspired works, it fits its Stravinsky score like a glove. Misa Kuranaga absolutely nailed the glamour, sexiness, and sophistication the pas de deux...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Ballet’s Kaleidoscopic ‘Night of Stars’ | 10/13/2008 | See Source »

...Lohengrin,” the strings were quickly overpowered by the brass line—though not enough to hide the fact that the violins were out of tune. Despite the unbalanced opening, the swashbuckling theme was well articulated by the brass section for a clean end. Like his “Lohengrin,” Wagner’s “Tannhäuser” is also a story about love. The muted sound of the overture’s opening in the clarinet melody evoked a prayer-like feeling. However, the performance failed to build...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: Boston Conservatory Underwhelms | 10/13/2008 | See Source »

...fantasy or science fiction writer. In past interviews you have said that you are trying to resist classification. What do you think about that?Jonathan Carroll: Critics and people who run bookstores like to classify things because it makes their jobs easier: Put this in the mainstream section. This is a fantasy novel, etc. Whenever people ask what “kind” of books I write I usually smile and say “mixed salads.” In that I mean a good mixed salad has tomatoes, sliced onion, capers, lettuce...lots of different things, covered...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: Carroll Doesn’t Give Up ‘Ghost’ | 10/13/2008 | See Source »

...Lowdown: Watts is intent on exploring the deeper meaning of Hefner's popularity and securing the publisher's place in America's cultural history. But he takes this admirable impulse too far. Nearly every chapter sub-section ends with a sweeping pronouncement: "Hefner and Playboy's social and political orientation in the early 1960s reflected a Kennedyesque sensibility," he writes in a typical summation. The effect can be grating-a magazine which calls the naked librarian gracing its pages "as dewy as a decimal system" cannot then be said to embody the Cold War ideological gulf demonstrated by Nixon...

Author: /time Magazine | Title: Mr. Playboy | 10/9/2008 | See Source »

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