Word: sectioning
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Dates: during 1990-1999
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Chen Mingming, an official in the American section of the Chinese Foreign Ministry in Beijing, told The Crimson last night it is "very likely" Jiang will come to Harvard...
Symbolic changes already have occurred in other traditional Harvard institutions. For instance, the Class Notes section of Harvard Magazine-the alumni publication-in its March/April issue this year published a same-sex marriage announcement for the first time...
...section of Seven Promises titled "Reclaiming Your Manhood," Tony Evans, a senior pastor of Oak Cliff Bible Fellowship in Dallas, puts it this way: "Sit down with your wife and say something like this: 'Honey, I've made a terrible mistake. I've given you my role. I gave up leading this family, and I forced you to take my place. Now, I must reclaim that role'...I'm not suggesting you ask for your role back, I'm urging you take it back...there can be no compromise here. If you're going to lead, you must lead...
...Village Vanguard" falls roughly at the midpoint of Coltrane's career, both chronologically and stylistically. He had just changed recording labels and had only recently settled on a brilliant rhythm section featuring pianist McCoy Tyner and drummer Elvin Jones. Coltrane's style and musical conception never stopped changing throughout his career, and these recordings reflect a serious departure from the structures and techniques of mainstream jazz of the time. Complex, static song structures were inhibiting what Coltrane wanted to do musically and he began looking towards Eastern ethnic music for influence. Coltrane began to experiment with instrumentation to dramatic effect...
...immediately reveals the unique musical direction Coltrane was pursuing. The droning, buzzing sound of the oud, a Middle Eastern lute-type instrument, is the first sound to present itself, followed by Coltrane's and bass clarinetist Eric Dolphy's repetition of a hypnotic two-note motif. In the solo section, the performance assumes the format of much of the music on this collection-dense, angular horn soloing over essentially no chord changes. Even the appreciative listener has difficulty comprehending the music upon first exposure, and judging from the scattered applause following the performance, the audience may have been baffled...