Word: sections
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Dates: during 1960-1969
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...rather surprised at the concluding remark of "The Jeering Section": "The song the students chose was Simon and Garfunkel's The Sounds of Silence, a theme that has hardly marked the 1968 campaign." If the writer had been familiar with the words of the song, I'm sure he would agree that it truly was the theme of the 1968 campaign: And in the naked light I saw, ten thousand people, maybe more,/People talking without speaking, people hearing without listening . . . The sounds of silence...
Writing: Fresh from the country, not an ideology in your head, you take ot the city to become a writer. The section of twon you live in leads you to meet a lot of angry young men, and your work is politicized. When the big bust comes, you're dragged in with your pals. Everyone is sentenced to be shot. The guns of the firing squad are cocked when a last second reprieve comes from the Czar (it was staged). The person next to you goes insane. You abjure this possibility, rethink a lot of things, and write Crime...
...accordance with paragraph two of Section 2102, a separate contracts is made between Harvard and the Secretary of each Military Services participating in the ROTC program. Among the conditions required by contracts, but not specifically by law, are the following...
...second concerto, distinguished by a beautiful first movement, fared much better with Tison Street and Daniel Banner as solo violins, and Philip Moss as solo cello. Mr. Street, the concert-master, articulated several of his solo passages indistinctly and failed to impose stylistic unity on the often disorganized violin section. Mr. Moss and the entire violincello section distinguished themselves as the Orchestra's finest performers...
...think that this was primarily due to simple orchestral fatigue after an especially strenuous program. The Andante, however, was played with considerable feeling. The primary problems of the orchestra in this work and throughout the concert were essentially a lack of stylistic homogeneity within the violin section, insufficient attention to phrasing and a peculiar inability to play a genuine piano. Each of the orchestra's winds performed admirably. Mr. Adams tended to exaggerate accompaniment figures and often failed to convey a sense of relaxation to the ensemble, but was a gifted conductor nevertheless...