Word: sections
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Dates: during 1960-1969
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While the campus stringers report more for Education than any other section of the magazine, they often contribute to such areas as The Nation, Essay, Modern Living and Sport. Their jobs involve hours of extra work. Don Morrison, our stringer at the University of Pennsylvania, is an extremely busy campus editor and honors student who admits that he is sometimes exasperated when students, faculty and administrators-not to mention TIME staffers-pester him at odd hours with queries, requests, suggestions and sometimes complaints about what TIME has said. How ever, his occasional chagrin disappears when a campus source, trying...
...student reporters, some of whom apply for the job while others come to our attention through campus activities, often go on to careers in journalism. Some of our regular staff began as TIME campus stringers. James Willwerth, a reporter for The Nation section who is now on military leave, first reported for us from the Berkeley campus of the University of California. World Writer Jason McManus and Saigon Correspondent David Greenway both began at Oxford in England...
...Commercial Appeal's strike coverage focused attention on other aspects of the paper that had long been commonplace. Negroes began complaining about segregated features of the newspaper such as the classified-ad section. They charged that Negroes are identified by race for crimes but whites are not. They also took exception to a daily cartoon titled "Hambone's Meditations," in which a shambling old Negro delivers such bromides as "Mos' folks, dey loses at de mouf whut dey teks in at de ears...
...crowd of 1200 saw Lindsay in Sanders and an additional 500 heard the New York Republican over a loudspeaker from another section of Memorial Hall. An additional 250 were turned away at the door. After his speech, Lindsay was named Man of the Year of the Harvard Republican Club, which sponsored the address...
...Glee Club's sound, when broken down by sections, is a bit uneven. In particular it lacks a bass section with the rich, grounded sound found, for instance, in Orthodox liturgical choirs. The shallowness of sound and the noticable failure at the "Many Brave Hearts are Asleep in the Deep" bottom of the range are most likely the direct consequences of youth and the luck of the draw, since the club depends on an uncertain pool of transient talent. As for baritones, director Elliot Forbes seems to have struck a rich vein since the section contains at least three...