Word: secularize
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Dates: during 1990-1999
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...theatergoers (although a remarkable percentage wore Yarmulkehs, and laughed and applauded for thesame reason that it is enjoyable to look at familyphotoalbums: the amazement of seeing yourselfportrayed so perfectly): the manners of dress andmodes of speaking, the particular theology andphilosophy, the approach to modernity and theconflict between the secular and the sacred...
Shrier's protagonists, who have grown upcomfortable with secular America despite theirOrthodox upbringing and Jewish schooling, arespending time in Israel after graduation from highschool, theoretically devoted to the study oftraditional Jewish texts. They are exposed to amore radical brand of Orthodoxy, and they do notknow whether change is good, or what change meansfor their unformed identities. Some of the boyschange more than others; some put up a brave frontto protect themselves from change; one boy, it isalleged--and here's the ostensible dramaticmotivation for the play--commits suicide becausehe is confused and distressed by the Yeshivaatmosphere...
These organizations and many others, including informal weekly Bible studies and formalized Friday worship in Lowell Hall, boast heavy student involvement and large memberships. The vastly secular education Harvard offers its flocks seems not to have circumscribed them, but to have freed them...
...women get not only the saltiest lines but also the feistiest roles. Childless Hanna-Leah, the butcher's wife, is freed from disappointment by an ecstatic vision and demands that her husband share the housework. Faygela, poet-mother of five, travels to Warsaw, where she encounters a circle of secular Jewish intellectuals and renounces Yiddish as "the dialect of garlic." Years later, one of Faygela's daughters converts to the new heresies of Darwin and Marx, and is arrested for distributing radical pamphlets. Another daughter interprets Little Red Riding Hood as a unionist parable: "She goes on strike...
...hothouse atmosphere of the Este court shows in Dosso's major works: they tend to be playful, elaborately poetic and almost impossible to connect to the usual literary sources, as though they were suggested by highly sophisticated people dreaming up ever more obscure secular concetti. In a word, the paintings are totally mannerist; even today scholars don't agree on what they're actually about. Their oddity is deepened by the fact that Dosso made them up as he went along, adding figures and painting them out as the whim took him, rather than sticking to a preset program...