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Celebrity Autobiography Joan Lunden's wake-up routine. Neil Sedaka's food diary. The Burt Reynolds--Loni Anderson divorce--from both sides. These and other excerpts from star memoirs are read off-Broadway with deadpan glee by a rotating cast in the funniest docu-theater stunt of the year...

Author: /time Magazine | Title: Short List | 11/13/2008 | See Source »

DIED. Howard Greenfield, 49, pop-rock lyricist whose hits with collaborator (and high school buddy) Neil Sedaka included the 1975 Grammy winner Love Will Keep Us Together as well as Stupid Cupid, Calendar Girl, Breaking Up Is Hard to Do and Happy Birthday, Sweet Sixteen; of a brain tumor; in Los Angeles...

Author: /time Magazine | Title: Milestones: Mar. 24, 1986 | 6/21/2005 | See Source »

...Crystals' "He's Sure the Boy I Love" (the saxophones primmer than Nino Tempo's on the Spector singles) with a twist of "Twist and Shout." Tracy's ballad "I Can Hear the Bells" summons the ghosts of white-girl singers and the ultimate white-girl tribute song, Neil Sedaka's "Calendar Girl"; instead of the months counted off, we hear "Round One... Round Two..." The bluesy "It Takes Two" borrows the chord pattern from "Sea of Love" and the mood of Barbara Lynn's "You'll Lose a Good Thing" (a Waters favorite oldie, used in the movie). There...

Author: /time Magazine | Title: That Old Feeling: Let Us "Spray" | 10/7/2002 | See Source »

...when he was just a nebbish - Sidney Falcone, dazzled by the Hunsecker hubris - and educating him in the ways of venality. (It's basically "The Producers," but without the gaiety, the color or the synchronized goose-stepping.) As played by Brian D'Arcy James, who has the young Neil Sedaka's face and prepubescent tenor singing voice, Sidney is a grinning naif who can't wait to be corrupted. J.J. takes him as a prot?g?, creates him out of nothing, to use him and then destroy him, return him to nothing: zero, with a bullet...

Author: /time Magazine | Title: That Old Feeling: Sidneyland | 3/22/2002 | See Source »

Respect, at least from the hip end of the rock establishment, has often eluded John. He lacks the anguish and ragged emotional edge of the existential rock star; he's closer to Neil Sedaka than to Bruce Springsteen. And there's something uncool-refreshingly so-about his naked need to be loved across the footlights. "Even if I had only one finger left," he once said, "I'd play for you." That's the credo of the compulsive showman, who loves to get people to sing along with all the tunes (Your Song, Daniel, Rocket Man, Crocodile Rock...

Author: /time Magazine | Title: ROARING BACK | 3/13/1995 | See Source »

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