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...only strictly literary problem might seem to arise among those authors whose novels describe the lives of the poor. It would not make sense, or be good business, for example, to portray the Joad family traveling west in a sleek eight-cylinder Packard sedan, Tom Joad's diamond Rolex flashing in the Dust Bowl air. The poor do not make good ads..... Or do they? Might be edgy possibilities here, a kind of Walker Evans chic - a good spread in Vanity Fair, page after page of gaunt black-and-white shots, weathered Depression faces, a certain erotic poverty...

Author: /time Magazine | Title: When Novels Become Commercials | 9/3/2001 | See Source »

...hand with a tall black man with a buzz cut. They are heading into the parking lot. He calls to them: "She ain't drunk, she's acting." The girl glares at him and says, "F___ you." The pair walk off and slip into the back seat of a sedan...

Author: /time Magazine | Title: Sex And Race In Okinawa | 8/27/2001 | See Source »

...tall, black man with a buzz cut hand-in-hand. They are heading into the parking lot. He calls to them: "She ain't drunk, she's acting." The girl glares at him and says, "F--- you." The pair walks off and slips into the back seat of a sedan...

Author: /time Magazine | Title: Okinawa Nights | 8/13/2001 | See Source »

...with new customers almost instantly. One attraction was the innovative, even offbeat styling of a couple of new models. The compact Santa Fe SUV was designed in the company's California studio to "cut through the clutter" of look-alike products, says O'Neill. The new XG300, a luxury sedan that at $25,000 is the most expensive car Hyundai has ever offered, also has a distinctive appearance...

Author: /time Magazine | Title: Hyundai In High Gear | 7/16/2001 | See Source »

...parents with long-term emotional scars? Until last week, Japanese schools, including the one in Ikeda, were typically open and easy to enter. During school hours, gates and doors are left unlocked. There are no security guards posted. So it was no trouble for Takuma to drive his silver sedan into the school's parking lot, pull a knife out of a box sitting on the front seat, walk around behind the school building and quietly enter a classroom through a ground-floor window. "We always felt safe here," says Yamao, pointing to the wooded field behind her house...

Author: /time Magazine | Title: Death Knell | 6/18/2001 | See Source »

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