Word: see
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Dates: during 1980-1989
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...expectation of success." But by September 1941 a decision had been made to prepare to fight America, and as commander of the Imperial Navy, Yamamoto dutifully drew up the plans. "I expect to die on the deck of my flagship," he said. "In those evil days you will see Tokyo burnt to the ground three times...
...Stones know their audience, though. It's pretty much the same as it's always been, and it will be happy to see them. It will also be happy to know that the material on Steel Wheels is a lot like them -- up to date but fundamentally unchanged. The record kicks off with Sad Sad Sad, a creditable attempt to capture again the dynamics of the group's early sound, when the rhythm came in solid sheets and the lyrics sounded as if they were being spit out of a semiautomatic weapon. After that, it bustles through a very commercial...
...taken us this long to reconcile being able to put the Stones together without him. Nobody knows much about Stu out there, but to the boys in the band, the Stones was his band. He was a real taskmaster, strictly rhythm and blues, jazz. You could see his face when you were writing, and if it sounded like a pop song, you knew he was cursing under his breath. In a way, we're all still working...
...linen sheet. He was paralyzed. When the air raid started, the whole patiently marching crowd was suddenly filled with panic. People sought safety in ditches, in bushes, in the potato fields. On the now empty road there was only the cart on which my grandfather was lying. He could see the planes coming at him, how suddenly they dived down. When the planes disappeared, we returned to the cart and my mother wiped the sweat off Grandfather's face. After each raid sweat rolled down Grandfather's tired, emaciated face...
...with mad ambitions and bad karma. Wired wants to turn the story of the Saturday Night Live comedian and gonzo movie star into a cautionary fable about celebrity in the fast lane -- and never mind that some powerful people in the movie business were not eager to see the picture made or released. Reprising Belushi's career without being able to use clips or skits from his most famous work should be challenge enough. But nooo! Wired insists on merging the complex flashback devices of two favorite old movies. So on one swerving narrative track, Woodward (J.T. Walsh), like...