Word: seeing
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Dates: during 1930-1939
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...Pimlico Special (a weight-for-age affair at a mile-and-three-sixteenths for three-year-olds and up) was recognized as the annual post-season race that determines the U. S. thoroughbred champion. Some 25,000 turf fans crammed into Pimlico's mid-Victorian stands to see if this year's Special would be as dramatic as the first two. Contenders for the title were William L. Brann's three-year-old Challedon, Charles S. Howard's four-year-old Kayak II and Townsend B. Martin's four-year-old Cravat (famed Johnstown...
Like most of his white brethren, Walter Merguson has yet to see the front. So far he has had to content himself with visits to French colonial encampments. But he has influential friends in the Government (including the Ministry of Information) who are not blind to the service a Negro correspondent can render France's relations with her colonies. When black troops go to the front, Walter Merguson expects to go with them...
...rest of the industry five years, had brought his company out of the drippy-wagon, pickerel-pond stage, had $25,710,324 sales and $2,972,997 net income. By the end of 1935, other icemen put Suhr at the head of newly organized National Ice Advertising, Inc., to see what could be done to rehabilitate the industry. Changes followed...
...hungry New Jersey has a propensity for pulling the teeth of gift horses (see p. 73). One victim was opulent Standard Oil Co. of New Jersey (assets: $2,044,635,000). Hit with a $300,000,000 assessment on its intangible property by Newark in 1935, the company got it reduced to $50,000,000, paid a $2,000,000 personal property tax, promptly moved its books and records to Linden. There town fathers slapped on a $75,000,000 "omitted assessment." Standard paid a $1,000,000 tax and began looking for still another home...
...first time, Chicago will see sculpture of Michelangelo in the original (a bas-relief Madonna and Child), Botticelli's The Birth of Venus, Mantegna's St. George, Raphael's Madonna and the Chair. Despite official denials, it is fairly obvious that Italy's masterpieces will tour the U. S. until World War II blows over. In explaining why the show was given to Chicago rather than New York City, suave Prince Colonna observed that the latter was "too near...